| | | Copyright |
| | | ACKNOWLEDGMENTS |
| | | ABOUT THE AUTHORS |
| | | INTRODUCTION |
| | | | Why we wrote this book |
| | | | Is this book for you? |
| | | | Okay, how do I get started? |
| | | | Is this book for Macintosh, Windows, or both? |
| | | | How to use this book |
| | | | What not to do |
| | | Life in the Fast Lane: production tips |
| | | | MAKING THE PREVIEW PALETTE BIGGER |
| | | | SAVING FILE BROWSER SETUPS |
| | | | SETTING DEFAULTS IN THE FILTER GALLERY |
| | | | REARRANGING YOUR BRUSHES |
| | | | CREATING YOUR OWN CUSTOM NEW DOCUMENT PRESETS |
| | | | FIND THE CENTER OF ANY DOCUMENT |
| | | | NO MORE JAGGY LASSO TOOL SELECTIONS |
| | | | THE MENU TO FULL SCREEN MODE |
| | | | EXPERIMENTING WITH ZOOM |
| | | | OPEN UP SOME SCREEN REAL ESTATE |
| | | | LET PHOTOSHOP DO THE WORK IN CURVES |
| | | | WANT A FINER GRID? YOU GOT IT! |
| | | | YOU DON'T NEED THE BRUSHES PALETTE TO CHANGE BRUSH SIZE |
| | | | ROTATE TO ANY ANGLE THE FAST WAY |
| | | | REMOVING POINTS FROM THE POLYGONAL LASSO |
| | | | GETTING TO THE RIGHT PALETTE JUST GOT EASIER |
| | | | OPENING MULTIPLE IMAGES AND CLOSING THE BROWSER |
| | | | OPENING AN IMAGE AND CLOSING THE FILE BROWSER |
| | | | GET RID OF UNWANTED BRUSHES |
| | | | NAVIGATING THE BRUSH PICKER LIKE A PRO |
| | | | GET MORE CONTROL OVER YOUR PAINT STROKES |
| | | | SPEED TIP TO ROTATE THROUGH OPEN IMAGES |
| | | | INSTANTLY FIND THE CENTER OF ANY OBJECT |
| | | | MAKING YOUR GUIDE FLIP |
| | | | CREATING TEMPORARY BRUSHES |
| | | | REUSING YOUR LAST CURVE SETTING |
| | | | BRINGING BACK THOSE CROPPED-AWAY AREAS |
| | | | FIX THOSE STRAY PIXELS FAST! |
| | | | GETTING MORE CONTROL OVER THE MAGIC WAND |
| | | | MAKING THE COLOR PALETTE WORK TWICE AS HARD |
| | | | PHOTOSHOP REMEMBERS THE LAST SIZE YOU INPUT |
| | | | SEEING YOUR CURVES UP CLOSE |
| | | | USE YOUR LAST SETTINGS AND SAVE TIME |
| | | | HIT THOSE CHANNELS FAST |
| | | | HOW TO GET AN UNDO AFTER YOU'VE CLOSED THE DOCUMENT |
| | | | USING THE PEN? STAY AWAY FROM THE TOOLBOX |
| | | | PUT YOUR GRADIENT PICKER AT YOUR FINGERTIPS |
| | | | DON'T CLICK IN THAT FIELD! |
| | | | OUT OF MEMORY? TRY THIS FIRST |
| | | | HOW TO "UNERASE" |
| | | | LET PHOTOSHOP STRAIGHTEN YOUR CROOKED SCANS |
| | | | COPY ONE LAYER, OR COPY 'EM ALL |
| | | | STUCK IN A FIELD? HERE'S HOW TO ESCAPE |
| | | | DON'T CANCEL; RESET AND SAVE TIME |
| | | | TIME FOR SOME PANTONE CONVENIENCE |
| | | | HOW TO HIDE THE PATH AROUND YOUR SHAPE |
| | | | ZOOMING IN THE FILTER GALLERY |
| | | | SEE EVERY TWEAK WITH BIGGER FILTER GALLERY PREVIEWS |
| | | | SHOWING ONE EFFECT IN THE FILTER GALLERY |
| | | | USE THE MOVE TOOL ANYTIME |
| | | | FILTER GALLERY ZOOM QUICK TIP |
| | | | TRASHING FILTER GALLERY FILTERS THE FAST WAY |
| | | | SAVING YOUR FAVORITE FOLDERS IN THE FILE BROWSER |
| | | | NESTING YOUR FILE BROWSER PALETTES |
| | | | BRUSHES RIGHT WHERE YOU WANT 'EM |
| | | Born to Run: essential tips you've got to know |
| | | | THE HIDDEN MEASUREMENT POP-DOWN MENU |
| | | | BATCH RENAMING MADE MORE USABLE |
| | | | CHANGING METADATA FONT SIZES |
| | | | GETTING A FRESH HISTOGRAM IN ONE CLICK |
| | | | USING THE LASSO TOOL? KEEP IT STRAIGHT |
| | | | SKIP THE ZOOM TOOL |
| | | | CAN'T REMEMBER SELECTION SHORTCUTS? LOOK AT THE CURSOR |
| | | | SNAP YOUR PALETTES TO ORDER |
| | | | YOUR SELECTIONS AREN'T STUCKMOVE 'EM! |
| | | | ONE-BUTTON REFRESH FOR THE FILE BROWSER |
| | | | GET RID OF THE ANNOYING CHECKERBOARD PATTERN |
| | | | UNDERSTANDING THE GIANT MONDO-BIG BRUSHES PALETTE |
| | | | HOW TO TAME THE SELECT SIMILAR COMMAND |
| | | | RUN THAT FILTER ONE MORE TIME |
| | | | DON'T LET THE BROWSER PREVIEW FOOL YOU |
| | | | WANT THE DEFAULT COLORS? JUST "D-DO" IT |
| | | | SCRUBBY SLIDER SHIFT-CLICK TRICK |
| | | | SAVING TIME IN THE FILL DIALOG |
| | | | WHY THE FILE BROWSER WON'T DOCK |
| | | | ESCAPE FROM THE CROP TOOL (OR DIE!) |
| | | | GETTING THE STARTUP WINDOW BACK |
| | | | GETTING YOUR WARNINGS BACK (RESETTING ALL DIALOGS) |
| | | | HOW TO SEE YOUR VECTOR EPS FILES IN THE FILE BROWSER |
| | | | THE SMALLER TOOLBOX TRICK |
| | | | BRUSHES PALETTE: THAT'S NOT A HEADER, IT'S A BUTTON |
| | | | DANGEROUS INTERSECTION? |
| | | | NUDGING POWER |
| | | | MAKE THAT OPTIONS BAR FLOAT FLOAT??? |
| | | | WHERE'S THE 3D TRANSFORM FILTER? |
| | | | THE FATE OF CLIPPING GROUPS |
| | | | SUPERSIZE IT |
| | | | LOCK THOSE PIXELS AND FILL |
| | | | STEAL COLOR FROM ANYWHERE |
| | | | ASK PHOTOSHOP TO REMEMBER MORE |
| | | | THE MONDO-COOL BATCH RANKING SECRET SHORTCUT |
| | | | SHRINK THOSE PALETTES DOWN TO SIZE |
| | | | STOP THE WARNINGS FROM YOUR DIGITAL CAMERA IMAGES |
| | | | CREATING THE ÜBER PALETTE |
| | | | KILLING LAYERS WITH NO MERCY |
| | | | TIRED OF PRESSING THE SHIFT KEY TO ROTATE THROUGH TOOLS? |
| | | | FIX THOSE TOOL SETTINGS FAST |
| | | | BRING ORDER BACK TO YOUR WORLD |
| | | | THE UNDOCUMENTED FILL SHORTCUT |
| | | | DESELECTED AND FORGOT TO SAVE? DON'T SWEAT IT |
| | | | SUPER-FAST INCHES TO PIXELS |
| | | | LIGHTNING-FAST FEATHER |
| | | | ZOOMED IN? DON'T USE THE SCROLL BARS |
| | | | BOSS AROUND YOUR COLOR SWATCHES |
| | | | LET PHOTOSHOP DO THE MATH WHEN COPYING/PASTING |
| | | | INSTANT SELECTION FROM ANY PATH |
| | | | MAXIMUM FILE BROWSER HIDDEN SHORTCUT |
| | | | CANVAS COLOR QUICK CHANGE |
| | | | SAVE CLICKS WHEN YOU CLOSE |
| | | | BEEN BINGING ON RAM? MAYBE IT'S TIME TO PURGE! |
| | | | REACHING THE FREE TRANSFORM HANDLES |
| | | | TRANSFORMING AND COPYING AT THE SAME TIME |
| | | Greased Lightnin': Way Cool Tips |
| | | | THE TRICK TO TRICKY EXTRACTIONS |
| | | | LIVE PATCHING PREVIEW |
| | | | ZOOMING ALL YOUR TILED IMAGES AT ONCE |
| | | | FINDING THE PHOTOGRAPHIC BRUSH TIPS |
| | | | HOW TO DUPLICATE A COLOR STOP |
| | | | REMOVING EDGE FRINGE WHEN COLLAGING |
| | | | CRACKING THE EASTER EGG MYSTERY |
| | | | SUPERCHARGE YOUR FILTER EFFECTS |
| | | | UNDO ON A SLIDER! |
| | | | GETTING TO THE FOLDER OF PHOTOS YOU WANTFAST! |
| | | | TWO FILES ARE BETTER THAN ONE |
| | | | RESIZING PATHS THE EASY WAY |
| | | | THE GAUSSIAN BLUR KEYBOARD SHORTCUT |
| | | | THE ADVANTAGE OF PHOTO FILTER ADJUSTMENT LAYERS |
| | | | WHERE TO SET CUSTOM VIEW SIZES |
| | | | MOVING YOUR IMAGE IN FULL SCREEN MODE |
| | | | DON'T RANK ITFLAG IT |
| | | | PHOTO-RETOUCHING SAFETY TIP |
| | | | PHOTOSHOP'S HIDDEN STEP AND REPEAT |
| | | | PAUSING FOR A BRUSH PREVIEW |
| | | | THE UNDOCUMENTED AIRBRUSH TOGGLE TRICK |
| | | | GIVE MOST ANYTHING A KEYBOARD SHORTCUT |
| | | | NO MORE UNLOCKING A BACKGROUND COPY |
| | | | SWAPPING CROP FIELDS |
| | | | LET THOSE WINDOWS BREATHE! |
| | | | THE MULTIPLE UNDO SHORTCUT |
| | | | WANT ARROWHEADS? PHOTOSHOP CAN ADD THEM FOR YOU! |
| | | | GETTING TO THE FREE TRANSFORM TOOL'S POP-UP LIST |
| | | | DRAGGING AND DROPPING WHERE YOU WANT |
| | | | CUSTOM BRUSHES DON'T HAVE TO BE SQUARE ANYMORE |
| | | | FEATHER A SELECTION WITHOUT THE GUESSING GAME |
| | | | CREATING A FLATTENED VERSION OF YOUR LAYERED IMAGE |
| | | | IF IT'S NOT SQUARE, YOU CAN STILL CROP IT |
| | | | TOP-SECRET PHOTOSHOP SPLASH SCREEN |
| | | | FALL IN LOVE WITH A TEMPORARY BRUSH, OR NOT |
| | | | UNDO A SAVE? THAT'S IMPOSSIBLE, ISN'T IT? |
| | | | MAKE A PHOTOSHOP CLIENT PRESENTATION |
| | | | CHANGE BRUSH SOFTNESS ON THE FLY |
| | | | LIGHTS, CAMERA, ACTION: SLIDE SHOWS USING PHOTOSHOP |
| | | | HOW TO CORRECT ONE PROBLEM COLOR |
| | | | BUILDING A BETTER BACKGROUND ERASER TOOL |
| | | | GETTING SIDE-BY-SIDE PREVIEWS |
| | | | CUSTOM BRUSHES: START WITH A CLEAN SLATE |
| | | | TIMING IS EVERYTHING! |
| | | | INSTANT THUMBNAIL SIZE CONTROL |
| | | | BRING UP YOUR LAST PREFERENCE |
| | | Burn Rubber: smokin' Type Tips |
| | | | GETTING TYPE IN A PERFECT CIRCLE |
| | | | I NEED MY DUMB QUOTES AGAIN |
| | | | RESETTING YOUR TYPE |
| | | | ONE-CLICK ACCESS TO THE COPYRIGHT SYMBOL, AND MORE |
| | | | HIGHLIGHTING YOUR TEXT SUPER FAST! |
| | | | RENDERING TEXT IN JUST ONE CLICK |
| | | | MADE TO FIT |
| | | | TEXT-PATH-MAKING MANIAC |
| | | | PICTURE THIS: PUTTING A PHOTO INSIDE TYPE |
| | | | FONTS, FONTS, AND MORE FONTS |
| | | | MAKE YOUR TEXT JUMP INTO ACTION |
| | | | DOUBLE YOUR PLEASURE |
| | | | SEEING YOUR TYPE CHANGE COLOR |
| | | | MOVE YOUR TYPE, WITHOUT SWITCHING TOOLS |
| | | | EDITING TEXT WITHOUT HIGHLIGHTING IT |
| | | | RASTERIZE TIMES 2, 4, 6... |
| | | | HONEY, I NEED SOME SPACE: VISUALLY ADJUST KERNING |
| | | | TELL PHOTOSHOP WHEN YOU'RE DONE WITH TYPE |
| | | | BRING THOSE TYPE LAYERS TOGETHER |
| | | | THE LONG AND THE SHORT OF TYPE |
| | | | MADE TO FIT: PART TWO |
| | | | MAKING THE SPELL CHECKER OBEY YOUR COMMANDS |
| | | | EDITING TYPE ON A PATH |
| | | | EXACT SIZING FOR YOUR TEXT COLUMNS |
| | | | REMOVING THOSE TYPOGRAPHICALLY INCORRECT SPACES |
| | | | TWEAK ALL YOUR TYPE IN ONE FELL SWOOP! |
| | | | DON'T HAVE ITALIC OR BOLD? DON'T SWEAT IT |
| | | Fast & Furious: killer web tips |
| | | | LOSE THOSE ANNOYING NUMBERS IN THE UPPER LEFT-HAND CORNER |
| | | | NEED TO SHRINK THE FILE SIZE? USE TRANSPARENCY |
| | | | CROP IT EVEN CLOSER |
| | | | LET PHOTOSHOP MAKE THE FILE SIZE CALL |
| | | | ZOOM OUT FOR SHARPER WEB IMAGES |
| | | | IMAGEREADY FEATURE COMES TO PHOTOSHOP |
| | | | TWO EASY WAYS TO CREATE TRANSPARENCY |
| | | | IMAGEREADY WINDOW SPEED TIP |
| | | | IF IT'S WEB SAFE, DON'T USE IT |
| | | | CHANGE ONE PREFERENCE, SAVE A BUNDLE |
| | | | GET THE REAL 100% VIEW |
| | | | STYLE WARNING FOR WEB DESIGNERS |
| | | | SPEND MORE TIME ANIMATING, LESS TIME CLICKING |
| | | | GETTING TO THE HEXADECIMAL CODE |
| | | | GET SUPER-CLEAN TYPE FOR THE WEB |
| | | | GOT A FOLDER FULL OF IMAGES FOR THE WEB? BATCH 'EM! |
| | | | EXERCISING YOUR INFLUENCE ON GIFS |
| | | | READ THE WEB COLOR ONSCREEN |
| | | | IMAGEREADY'S SUPERCHARGED EYEDROPPER |
| | | | IMAGEREADY'S AUTO TILE MAKER |
| | | | MAKE SURE YOU SEE IT THE SAME WAY THEY SEE IT |
| | | | DON'T LOAD THAT BOGUS SLICE! |
| | | | USE LAYER-BASED SLICES |
| | | | BLUR THAT JPEG AND SHRINK IT DOWN |
| | | Fast Company: photoshop design tips |
| | | | EFFECTIVE GHOSTING OR BACKSCREENING |
| | | | TWO-COLOR MAY BE BETTER THAN FOUR |
| | | | OVERLAP GRAPHIC ELEMENTS TO ADD VISUAL INTEREST |
| | | | FOCUSING ATTENTION BY ADDING DEPTH |
| | | | FOCUSING ATTENTION USING COLOR |
| | | | DON'T MAKE IT BLACKMAKE IT MEGA BLACK! |
| | | | SHADOW OPACITY AND SOFTNESS |
| | | | CREATE YOUR OWN CUSTOM TYPEFACE |
| | | | USE CORRECT CMYK BUILDS TO MATCH PANTONE COLORS |
| | | | ADD COLOR TO YOUR SHADOWS |
| | | | PICKING COLORS? USE THE BUILT-IN COLOR WHEEL |
| | | | COLOR COMBINATIONS AFFECT SIZE AND PROPORTION |
| | | | USE TIGHT CROPPING TO SPICE UP IMAGES |
| | | | DETERMINING THE LENGTH OF A CAST SHADOW |
| | | | ADD A POINT OF REFERENCE TO CONVEY SIZE |
| | | Speedy Gonzalez: Layer Tips |
| | | | ALMOST A BUILT-IN FLATTENING SHORTCUT |
| | | | JUMP TO ANY LAYER JUST BY CLICKING IN YOUR IMAGE |
| | | | TURNING YOUR LAYERS INTO SEPARATE DOCUMENTS |
| | | | OPENING LAYERED FILES WITHOUT ALL THE LAYERS |
| | | | MISSING YOUR BACKGROUND LAYER? HERE'S THE FIX |
| | | | AVOIDING THE LAYER MENU |
| | | | LOCK ALL THOSE LAYERS IN JUST ONE CLICK |
| | | | TOGGLE THROUGH THE BLEND MODES |
| | | | HIDE YOUR OTHER LAYERS IN THE BLINK OF AN EYE |
| | | | WHY DRAGGING AND DROPPING STYLES ROCKS! |
| | | | APPLYING LAYER STYLES TO YOUR BACKGROUND LAYER |
| | | | TURN YOUR LAYER COMPS INTO THEIR OWN DOCS |
| | | | MORE CONTROL OVER BLENDS: ADVANCED BLENDING |
| | | | INSTANT OPACITY CHANGE |
| | | | COPY A LAYER IN THE SAME LOCATION IN ANOTHER DOCUMENT |
| | | | MOVING MULTIPLE LAYERS FROM DOCUMENT TO DOCUMENT |
| | | | CENTERING DRAGGED LAYERS THE EASY WAY |
| | | | EASIER DROP SHADOW ANGLE ADJUSTMENTS |
| | | | LAYER NAVIGATION SHORTCUT |
| | | | SUPER-FAST LAYER COPIES |
| | | | INSTANT LAYER ALIGNMENT |
| | | | SEPARATION ANXIETY: PUT A LAYER STYLE ON A SEPARATE LAYER |
| | | | LAYER EFFECTS REMOVAL SPEED TIP |
| | | | SHAPES WITHOUT THE SHAPE LAYER |
| | | | COLOR-CODING MADE EASY |
| | | | CAN'T PAINT ON A LAYER? HERE'S WHY |
| | | | SPEED UP PHOTOSHOP BY MERGING LAYERS |
| | | | LAYER SET SUPER-SPEED TIP |
| | | | SAVE ROOM IN YOUR LAYERS PALETTE |
| | | | CAN'T WE ALL JUST HAVE THE SAME STYLE? |
| | | | LAYER PALETTE NAVIGATION SPEED TIPS |
| | | | QUICK-COPY YOUR LAYER MASK |
| | | | SELECT EVERYTHING ON YOUR LAYER IN ONE CLICK |
| | | | VIEW YOUR LAYER MASK AS A RUBYLITH |
| | | | SELECTING JUST ONE OBJECT ON A LAYER |
| | | | KEEP LAYER STYLES FROM AFFECTING NEW WORK |
| | | | UN-FILLING FOR FUN AND PROFIT |
| | | | OPACITY SLIDER SPEED TIPS |
| | | | SECRET OPACITY SEE-THROUGH PART OF A LAYER TIP |
| | | | SKIPPING THE LAYER COMP DIALOG |
| | | Speed Freak: troubleshooting tips |
| | | | THE REAPPEARING/DISAPPEARING BRUSH TIP |
| | | | GET PRINT RESOLUTION FROM YOUR DIGITAL CAMERA IMAGES |
| | | | HOW TO USE RGB FILTERS ON GRAYSCALE IMAGES |
| | | | STOP THE CROP SNAPPING |
| | | | LET'S DO THE TEXT WARP AGAIN |
| | | | UNLOCKING THE BACKGROUND LAYER |
| | | | TRIMMING YOUR PLUG-INS FOR FASTER STARTUP |
| | | | MAKING YOUR COLOR PRINTOUTS MATCH YOUR MONITOR |
| | | | DO YOU HAVE ENOUGH RAM? ASK PHOTOSHOP |
| | | | GETTING BETTER EPS PREVIEWS |
| | | | THE KILLER TROUBLESHOOTING TIP: DELETING THE PREFERENCES |
| | | | GET BACK YOUR BACKGROUND LAYER |
| | | | EXPANDING RECTANGULAR SELECTIONS |
| | | | FIXING THE "ROUNDED CORNERS" SELECTION PROBLEM |
| | | | MAKING GLOBAL LIGHT WORK FOR YOU |
| | | | FIND THE HIDDEN MAGNETIC PEN TOOL OPTIONS |
| | | | PRINTING SHADOWS OVER SOLID COLORS IN PAGE LAYOUT APPS |
| | | | LET PHOTOSHOP REBUILD YOUR PREFS |
| | | | STOP THE "CLICK-AND-JUMP-TO-THAT-LAYER" BLUES |
| | | | FASTER APPLICATION SWITCHING |
| | | | WILL MORE RAM MAKE PHOTOSHOP RUN FASTER? |
| | | | DON'T USE CROP TO FIX BARREL DISTORTION |
| | | | GETTING SMALLER PHOTOSHOP FILES |
| | | | HOW TO USE ACTIONS FROM THE WEB |
| | | Speed 2: image-correction and prepress tips |
| | | | GETTING MORE ACCURATE COLOR USING REPLACE COLOR |
| | | | CORRECTING HIGHLIGHTS? WATCH OUT FOR OPEN SHADOWS! |
| | | | HOW TO HEAL ON A BLANK LAYER |
| | | | BETTER HEALING WITH A CUSTOM BRUSH |
| | | | CREATING A CUSTOM SHADOW/HIGHLIGHT DEFAULT |
| | | | GETTING BACK SHADOW/HIGHLIGHT'S FACTORY DEFAULTS |
| | | | HEALING WITH PRESSURE |
| | | | CONTROL THE OPACITY OF YOUR HEALING PROCESS |
| | | | SAY GOOD-BYE TO GRADIENT BANDING |
| | | | SHARPENING YOUR IMAGES LIKE A PRO |
| | | | FIVE TIPS FOR GETTING RID OF MOIRÉ PATTERNS |
| | | | SCAN LINE ART AT THE RESOLUTION YOU NEED |
| | | | USING THE HIGH PASS FILTER FOR SHARPENING |
| | | | SPOT COLOR GRADIENT FILM SAVER |
| | | | CORRECT IN CMYK OR RGB? |
| | | | STRAIGHTENING SCANS IN 10 SECONDS (OR LESS) |
| | | | STAY AWAY FROM THE SPONGE TOOL |
| | | | REMOVING NOISE IN DIGITAL CAMERA IMAGES |
| | | | SCANNERS AREN'T JUST FOR FLAT OBJECTS |
| | | | REMOVING RED EYE WITH THE COLOR REPLACE BRUSH |
| | | | ARE YOUR COLORS PRESS READY? |
| | | | NEVER SWAP COLORS AGAIN WHEN CLEANING LINE ART |
| | | | LET PHOTOSHOP DO YOUR RESOLUTION MATH |
| | | | GOING TO PRESS? MAKE SURE YOUR MONITOR IS IN THE "RIGHT SPACE" |
| | | | WANT BETTER GRADIENTS ON PRESS? HERE'S THE TIP |
| | | | GETTING BEFORE AND AFTER PREVIEWS |
| | | | CLONING FROM IMAGE TO IMAGE |
| | | | GET MORE REALISTIC DROP SHADOWS ON PRESS |
| | | | MAKING SURE YOUR WHITES ARE REALLY WHITE |
| | | | TRY NOT TO CORRECT MORE THAN ONCE |
| | | | HAVE PHOTOSHOP HELP FIND YOUR HIGHLIGHTS/SHADOWS |
| | | | TALKIN' 'BOUT MY RESOLUTION |
| | | | ARE YOU REALLY SEEING YOUR SHARPENING? |
| | | | ADJUSTING CURVE POINTS WITH PRECISION |
| | | | APPLY UNSHARP MASK TO CMYK IMAGES |
| | | | RGB FLESH TONES: GETTING THE "RED" OUT |
| | | | ONCE YOU'RE IN CMYK MODE, STAY THERE |
| | | | THE SIMPLE TIP TO BETTER COLOR SEPARATIONS |
| | | | HOW TO SHARPEN FLESH TONES IN CMYK |
| | | | HOW TO READ FOUR AREAS AT ONCE |
| | | | MORE CURVE POINT QUICK TIPS |
| | | Speed Kills: advanced tips |
| | | | USING THE FILE BROWSER TO OPEN 16-BIT IMAGES |
| | | | KEEPING TRACK OF YOUR EVERY MOVE |
| | | | EMBED YOUR MESSAGE INTO YOUR PHOTOS |
| | | | MANAGING THE METADATA OVERLOAD |
| | | | PHOTOSHOP'S OWN SLIDE SHOW |
| | | | THE HISTOGRAM PALETTE'S VISUAL CUES |
| | | | SEEING YOUR FULL-COLOR IMAGE WHILE EDITING A CHANNEL |
| | | | HOW TO COMBINE TWO PATHS INTO ONE |
| | | | POWER UP YOUR LAYER STYLES |
| | | | SWAPPING FILES? MAKE SURE YOUR COLOR STAYS INTACT |
| | | | FREEFORM/PEN TOOL QUICK SWITCH |
| | | | VISUAL CONTROL OVER YOUR SELECTIONS USING QUICK MASK |
| | | | BETTER COLOR-TO-GRAYSCALE USING LAB |
| | | | HAVE PHOTOSHOP SELECT THE SHADOWS AND HIGHLIGHTS |
| | | | TROUBLESHOOTING ACTIONS? SLOW DOWN! |
| | | | ACCESSING GRAYED-OUT FILTERS IN CMYK |
| | | | MORE CONTROL OVER FILTERS |
| | | | ASSIGNING METADATA TO MULTIPLE FILES |
| | | | APPLYING MULTIPLE FILTERS? NOT ON MY LAYER! |
| | | | NEW SNAPSHOT, THE MISTAKE INSURANCE POLICY |
| | | | SAVING YOUR ACTIONS AS PRINTABLE TEXT FILES |
| | | | 3D PRINT EFFECTS (AND WHERE TO GET THOSE GOOFY GLASSES) |
| | | | CREATING REUSABLE DIAGONAL GUIDES |
| | | | LOCKING YOUR TABLET BRUSH SETTINGS |
| | | | THE SECRETS OF SEARCHING IN THE BROWSER |
| | | | DRAG-AND-DROP CURVES FOR QUICK CORRECTION |
| | | | ACTIONS POWER TIP: ADD AN ACTION TO YOUR ACTION |
| | | | PREPRESS CLEANUPSIN A SNAP |
| | | | BLEND MODE POWER TIP |
| | | | MAKING CHANGES TO RAW PHOTOS WITHOUT OPENING THEM |
| | | | NO MORE CREATING TYPE IN CHANNELS |
| | | | LET PHOTOSHOP TELL YOU THE HIGHLIGHT AND SHADOW |
| | | | USING THE LASSODON'T STOP TO NAVIGATE |
| | | | LOAD ANY SAVED SELECTION WITHOUT THE CHANNELS PALETTE |
| | | | PLOT MULTIPLE CURVE POINTS IN JUST ONE CLICK |
| | | | TOUGH SELECTION TIP |
| | | | MAKING THE COLOR PICKER SHOW CMYK |
| | | | MOVING MULTIPLE CURVE POINTS AT ONCE |
| | | | ADD TO YOUR SELECTIONS THROUGH THE CHANNELS PALETTE |
| | | | EMBEDDING PATHS INTO ACTIONS |
| | | | MEASURE TWICE, LOOK ONCE |
| | | | STROKING HALF A PATHHALF A PATH???? |
| | | | SPEEDING UP BATCH ACTIONS |
| | | | LOCKING A PDF PRESENTATION |
| | | | SAVING TIME WHEN CORRECTING CAMERA RAW PHOTOS |
| | | | PUTTING YOUR LENS FLARE ON THE SPOT |
| | | COLOPHON |
| | | PHOTOGRAPHY |
| | | ILLUSTRATION |
| | | ADDITIONAL PHOTOSHOP RESOURCES |
| | | Index |