Adobe After Effects 6.5 Studio Techniques
Index[SYMBOL] [A] [B] [C] [D] [E] [F] [G] [H] [I] [J] [K] [L] [M] [N] [O] [P] [Q] [R] [S] [T] [U] [V] [W] [X] [Y] [Z] Layer menu Layer window customizing workspace 2nd drawing masks in rotoscoping and 2nd Layer/Source toggle, timeline columns layers adjustment layers 2nd duration confusion 2nd guide layers highlighting a layer and viewing options offsetting with expressions 2nd 3rd 4th syncing by pre-composing timeline 2nd 3rd 4th 5th trimming Z-depth value 2nd learning to see [See eye, developing graphic or artistic] Leave All Attributes option, pre-composing lens angle lens distortion 2nd 3rd 4th 5th lens flares causes of compared with glints creating 2nd lens settings, 3D camera 2nd 3rd 4th Levels 2nd 3rd 4th 5th 6th 7th 8th 9th Adjust menu Brightness & Contrast compared with 2nd brightness and contrast adjustments 2nd 3rd 4th color images color matching and 2nd Curves compared with 2nd 3rd histogram 2nd light 2nd 3rd 4th 5th 6th 7th 8th overview of 2nd slamming as review technique light 2nd 3rd 4th 5th 6th 7th 8th 9th 10th 11th 12th 13th 14th 15th 16th 17th 18th 19th 20th 21st 22nd 23rd 24th 25th 26th 27th 28th 29th 30th 31st 32nd 33rd 34th 35th 36th 37th 38th 39th 40th 41st 42nd 43rd 44th 45th 46th 47th 48th adjusting and matching [See color/light, adjusting] ambient motion and backlighting and Light Wrap 2nd 3rd 4th bending around mass 2nd color [See colored light] drama effect of 2nd 3rd exposure 2nd 3rd 4th 5th 6th glints 2nd lens flares 2nd leveling hotspots 2nd 3rd Levels adjustments 2nd 3rd 4th 5th 6th 7th 8th linear behavior of linear set-up 2nd 3rd 4th location and quality 2nd matching light level on background and foreground neutralizing direction 2nd overview of 2nd rapid changes in natural light re-lighting a scene 2nd 3rd reflected and interactive 2nd 3rd 4th reflected water light scattering and volume 2nd 3rd setting sun 2nd shadows 2nd 3rd 4th source and direction Transform controls 2nd virtual water bending light artifacts light explosions 2nd light wrap 2nd 3rd Light, blending modes 2nd Linear Color Key 2nd 3rd linear color space 1.0 gamma [See eLin, Orphanage] basic set up in eLin [See eLin, Orphanage] compared with native video color space [See eLin, Orphanage] experimenting with exposure [See eLin, Orphanage] linear command Linear Dodge linear keyers difference mattes 2nd functions of Linear Color Key and Extract 2nd 3rd overview of 2nd Linear Light mode linear set-up, light 2nd 3rd 4th linking animation data [See animation data, linking with expressions] Liquify effect 2nd Live Update location, of light source 2nd Lock Other Masks Lock toggle, AV Features/Keys toggle log color spaces Cineon files stored in Cineon log space 2nd 3rd 4th converting to linear defined logarithmic functions [See also log color spaces] logic, of expressions look up table (LUT) 2nd 3rd 4th loopIn expressions looping expressions 2nd 3rd 4th reviewing footage loopOut expressions 2nd lossless output, Output settings low-loss, Output settings Luma Inverted Matte Luma Key luma matte Add mask compared with track mattes overview of RGB image as luminance black luminance data Extract for luminance keying HSB modes and luminance scale of histogram mattes Stencil and Silhouette modes and track mattes and 2nd Luminescent Premultiply, blending mode 2nd LUT (look up table) 2nd 3rd 4th Lux, from Trapcode |