Apple Pro Training Series. Optimizing Your Final Cut Pro System. A Technical Guide to Real-World Post-Production

Index

[SYMBOL] [A] [B] [C] [D] [E] [F] [G] [H] [I] [J] [K] [L] [M] [N] [O] [P] [Q] [R] [S] [T] [U] [V] [W] [X] [Y] [Z]

radio-frequency modulated signals

RAIDs (Redundant Arrays of Inexpensive Disks)

     levels

         for video work with Xsan

     LUNs

     mirroring

     SoftRAID

    stand-alone uncompressed systems

         hardware controlled bridges

         prebuilt

         software

         striped arrays

         volumes, creating from single-host RAIDs

     striped arrays

         uncompressed systems

         with parity

RAM (Random Access Memory)

     Final Cut Pro

rasterizers

rasters, scanning

RBG color spaces versus YUV color spaces

RCA connectors

reads/writes, hard drives

Real Media wrappers 2nd

Real-Time Playback [See RT Playback]

recordists, timecode DAT recorders

Redundant Arrays of Inexpensive Disks [See RAID]

reel numbers

Reel-to-Reel analog audio formats

reference generators

remote protocol [See RS-422]

Render Manager

rendered media

     media file management

     Render Manager

resolution

     data files, 2K and 4K

     decreasing

         converting frame rates

         recompressing media

     horizontal

    increasing

         overview

         recapturing entire source file

         recapturing marked source media

     Mac OS X system preferences

     mixed-resolution project

     quarter frame

     video signals

resource forks

Restore feature

Revert feature

RF or ANT (antenna) connectors

RGB color spaces

     luma and chroma clamping

RGB parade displays

round-trip migration

routing switchers

RS-232 control interfaces 2nd

RS-422 protocol 2nd

     serial connectors

RT Playback