| 1. | What film formats does Cinema Tools support? |
| 2. | What are the two main ways of transferring film during a telecine session? |
| 3. | How should the telecine operator set the A frames to start? |
| 4. | Why is it better to match the audio timebase to the video transfer timebase than the reverse? |
| 5. | What's the advantage of detailing or streamlining your Cinema Tools database? |
| 6. | What makes an XML batch list so useful? |
| 7. | What's a good way to correct video clip frame duration errors or change the frame rate of a clip? |
| 8. | For NTSC projects, what must you do if you are planning to edit your project at 24 fps? |
| 1. | Cinema Tools supports 35mm 4-perf and 16mm-20 film formats. |
| 2. | By complete camera roll or selectively by scene and take. |
| 3. | The A frames should start at non-drop-frame timecode numbers ending in 5 or 0. |
| 4. | The sync is easier to achieve that way. |
| 5. | You can work in many different ways, and you can add, delete, and merge databases. |
| 6. | It gives you access to all the film metadata that is viewable in Final Cut Pro. |
| 7. | Using the Conform feature. |
| 8. | You will need to apply Reverse Telecine. |