Film Production Theory2000

Couture, Thomas, 154, 157
Coverage, 116-118, 120, 122, 123, 139, 189
Crime of Mr. Lange, The, 245
D
Dabadie, Jean-Loup, 89
Darwin, Charles, 181
Davidson, Donald, 100, 101
D coupage, 120-122, 124, 125
Degas, Edgar, 181
Deleuze, Gilles, 156, 179, 181, 184, 189, 228, 229, 234, 237, 240, 247
de Man, Paul, 158
De Mille, Cecil B., 126, 156
de Mille, William, 117
De Palma, Brian, 193, 194
Deren, Maya, 48, 51
Derrida, Jacques, 25, 26, 55, 108, 155, 172, 179, 180, 200, 219, 220, 221, 251, 252, 253
De Santis, Giuseppe, 113
De Sica, Vittorio, 92, 113
Devil Probably, The, 182
Dewey, John, 56, 68, 69, 73, 74, 75
Diagesis, 263n. 46
Dialectic of Enlightenment, 39
Dialogism (Bakhtin), 137-140
Dickson, W. K. L., 173
Diderot, Denis, 127
Diff rance (Derrida), 26, 251
Doane, Mary Ann, 200, 203
Dogma 95, 257
Dostoevski, Fedor, 137, 138
Double Indemnity, 189
Doubting Thomas, 153
Dreyer, Carl, 143, 167
Drums along the Mohawk, 186
Duras, Marguerite, 211
D rer, Albrecht, 187, 188
E
Eagleton, Terry, 100
Earth (Heidegger), 47
East of Eden, 98
Easy Rider, 12
Edison, Thomas, 173
Edzard, Christine, 160
Einstellung, 194-195
Eisenstein, Sergei M., 19, 20, 74, 78, 111, 137, 162, 173, 226, 233-236, 237, 240, 241
Eisler, Hanns, 39, 208, 209, 210, 211
Eliot, Charles William, 56
El Mariachi, 144
Elsaesser, Thomas, 228
Eustache, Jean, 210
Everyman for Himself, 126
Evolution of the Language of Cinema, The, 240
F
Fabula, 93-95
Falconetti, Ren e, 143
Fall, The, 223
Family Plot, 189
Fassbinder, Rainer Werner, 151
Faustian space, 152, 185
Fellini, Federico, 12, 92
Fever, 52
Feyerabend, Paul, 104
Field, Syd, 96, 97, 106
Film Technique, 231
Finkielkraut, Alain, 42
Five Easy Pieces, 63
Five Readers Reading, 253
Flaherty, Robert, 222, 245, 246
Florida State University, 65
Ford, John, 32, 114, 186, 187
Forman, Milos, 63, 69
Fort/da game, 228-229, 246
Foucault, Michel, 25, 27
400 Blows, The, 121
Frank, Robert H., 6, 8
Freeburg, Victor O., 88, 93
Fusco, Giovanni, 209

 

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