| | | | | | Rossellini, Roberto, 80, 106, 113, 248, 249 | | | | | | | | | Rules of the Game, The, 179 | | | | | | | | | Sargent, Epes Winthrop, 83, 105, 109 | | | | | | | | | Sartre, Jean-Paul, 53, 127, 128, 253 | | | | | | | | | Saussure, Ferdinand de, 24, 25, 101, 250 | | | | | | | | | Scorsese, Martin, 22, 63, 125, 255 | | | | | | | | | The Foundations of Screenwriting, 96 | | | | | | | | | Shklovski, Viktor, 140, 141, 143 | | | | | | | | | Shoot the Piano Player, 94 | | | | | | | | | Sontag, Susan, 14, 15, 121 | | | | | | | | | Spielberg, Steven, 7, 55, 60, 63, 66, 72, 215 | | | | | | | | | Staiger, Janet, 4, 82, 83 | | | | | | | | | Stanislavski, Konstantin, 129, 130 | | | | | | | | | Stimmung (Heidegger), 159-160 | | | | | | | | | St. Jerome (D rer), 187, 191 | | | | | | | | | St. Jerome (Messina), 189 | | | | | | | | | Straub, Jean-Marie, 194, 216, 217 | | | | | | | | | Symbolic (Lacan), 101-102 | | | | | | | | | Tarkovsky, Andrey, 30, 257 | | | | | | | | | Tarrantino, Quentin, 193, 194 | | | | | | | | | Terminator 2: Judgment Day, 105 | | | | | | | | | Thelma and Louise, 19, 20 | | | | |