The Art of Photoshop for Digital Photographers
Index[SYMBOL] [A] [B] [C] [D] [E] [F] [G] [H] [I] [J] [L] [M] [N] [O] [P] [R] [S] [T] [U] [V] [W] [Y] [Z] cable releases Calibration tab (Camera Raw Plug-in dialog box) Camera Raw Plug-in dialog box 16-bit images converting to 8-bit Adjust tab Adjustment tab Brightness slider Calibration tab Chromatic Abberation sliders Color Noise Reduction slider Contrast slider Detail tab editing images 2nd Exposure slider Lens tab Luminance Smoothing slider Saturation slider Shadow slider Sharpness slider Vignette sliders camera shake cameras autofocus active controlling 2nd focusing zones 2nd passive switching to manual focus switching to manual focus, edge contrasts 2nd switching to manual focus, glass reflections/transparencies switching to manual focus, low light situations exposure compensation feature 2nd Exposure Lock feature exposure presets flashes built-in built-in, creating diffusers extension cables off-camera 2nd rear-curtain sync strobes focus creating intimacy implying distance timing 2nd Focus Lock feature manual focus switching to switching to, edge contrasts 2nd switching to, glass reflections/transparencies switching to, low light situations stability focus 2nd Campo Sky source photo Molecola Sogni image building example 2nd canvas size, setting Una Passione Perfetta image building example cards gray Cathedral source photo Molecola Sogni image building example 2nd chimpinÓ Chromatic Abberation sliders (Camera Raw Plug-in dialog box) chromatic abberations Chruch of Santa Maria del Fiore 2nd 3rd cleaning digital cameras clipping areasÓ (images) close-up photography techniques composition 2nd 3rd exposure 2nd 3rd 4th color composition 2nd 3rd contrast 2nd intensity Color blending mode Parte Interna image building example color casts Color Noise Reduction slider (Camera Raw Plug-in dialog box) color photos converting to black and white Siena Madonna image building example 2nd 3rd 4th Color Replacement tool red-eye removal 2nd combing composition angles conveying movement 2nd concepts as adjectives contrast paradox defining 2nd diagonal pointers 2nd 3rd emotional concepts frame division Greek Golden Mean rule of thirds lighting main ideas, determining 2nd movement, capturing 2nd nouns as subjectsÓ paradox photography techniques close-ups 2nd 3rd landscapes 2nd objects 2nd portraits 2nd portraits figures head shots spatial depth stability 2nd subject presentation color 2nd 3rd depth of field supporting elements, arranging time, capturing symmetry 2nd visual progression 2nd viewer orientation cropping 2nd frame size/geometry 2nd lens perspectives viewpoints viewer/subject interaction compositions eternity, conveying 2nd multiple-exposure images in 2nd shadows/light compression JPEG files TIFF files concepts emotional (composition) concepts as adjectives (composition) conte crayon effects brushes, creating for Marconi Statue image building example 2nd adding details adding highlights blocking shadow/tone 2nd brush creation defining tonal ranges drawing in layers contrast adjusting in Porta Rossa image building example paradox contrast (color) composition 2nd contrast (images) incandescent/flourescent lighting sunrises/sunsets 2nd Contrast slider (Camera Raw Plug-in dialog box) converting 16-bit images to 8-bit color photos to black and white Siena Madonna image building example 2nd 3rd 4th Copy Merged command Passagio Scuro image building example 2nd cropping Molecola Sogni image building example 2nd Passagio Scuro image building example 2nd Punto image building example 2nd source images Parte Interna image building example Una Passione Perfetta image building example cropping (composition) aspect rations cropping images Cuna Tree image image building example 2nd 3rd 4th 5th curve adjustment layers Molecola Sogni image building example custom brushes creating saving cyanotypes Ochre Alley image example 2nd adding tone curves cloning dodging/burning 2nd 3rd |
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