| | | Copyright |
| | | About the Author |
| | | Acknowledgements |
| | | We Want to Hear from You! |
| | | For More Information |
| | | Introduction |
| | | Welcome to Tuscany |
| | | | Welcome to Tuscany: Thinking Outside the Guidebook |
| | | | Planning Ahead |
| | | | Going Home |
| | | | A Tentative Start |
| | | | The Palio and the Gangs of Siena |
| | | | Obligatory Pilgrimages |
| | | | Prologue |
| | | Part 1. Digital Photography Techniques |
| | | | Chapter 1. Digital Camera Basics |
| | | | Digital Photography Pros and Cons |
| | | | Five Habits to Optimize Image Quality |
| | | | Previewing Tips: Critical Evaluation |
| | | | Preview Exposure with Histograms and Clipping |
| | | | Capturing the Elusive Shot |
| | | | Elements of Photographic Quality |
| | | | File Format Pros and Cons |
| | | | Using a Flash Effectively |
| | | | Chapter 2. Digital Exposure |
| | | | Exposure = Amount of Light and Speed of Shutter |
| | | | The Tones and the Zones |
| | | | Adjusting Exposure |
| | | | Metering Light |
| | | | Overcoming TTL Meter Limitations |
| | | | Non-manual Exposure Settings |
| | | | Using a Handheld Meter |
| | | | Measuring Tonal Range with Histograms |
| | | | Chapter 3. Focus and Depth of Field |
| | | | Types of Autofocus |
| | | | Focus and Camera Stability |
| | | | What Is Depth of Field? |
| | | | Artistic Application |
| | | | Chapter 4. Composition |
| | | | Compositional Building Blocks |
| | | | Documenting a Moment |
| | | | Controlling Compositions with Multiple Exposures |
| | | Part 2. Photoshop Explorations |
| | | | Chapter 5. Photo Explorations |
| | | | Dramatic Shadows |
| | | | Custom Black and White Conversions |
| | | | Shift Depth of Field |
| | | | Image Panoramas |
| | | | Daguerreotype Effects |
| | | | Infrared Effects |
| | | | Simulate Twilight |
| | | | Hand Coloring |
| | | | Cyanotypes |
| | | | Chapter 6. Artistic Explorations |
| | | | Printmaking Effects |
| | | | Painterly Illustration |
| | | | Line Engraving |
| | | | Painted Canvas |
| | | | Conté Crayon Drawing |
| | | | Graphic Effects With Blending Modes |
| | | Part 3. Gallery |
| | | | Chapter 7. Abbazia: Finding Transcendent Spirit |
| | | | Source Images |
| | | | Building the Image |
| | | | Abbazia Image Design Log |
| | | | Chapter 8. Passagio Scuro: Revealing Shadowed Vitality |
| | | | Source Images |
| | | | Building the Image |
| | | | Passagio Scuro Image Design Log |
| | | | Chapter 9. Punto: Exploring Relative Fundamentalism |
| | | | Source Photos |
| | | | Building the Image |
| | | | Variations on Punto |
| | | | Punto Image Design Log |
| | | | Chapter 10. Santissima Addolorata: Experiencing Blind Faith |
| | | | Source Photos |
| | | | Building the Image |
| | | | Santissima Addolorata Image Design Log |
| | | | Chapter 11. Porta Rossa: Discovering Evocative Doorways |
| | | | Source Photo |
| | | | Building the Image |
| | | | Porta Rossa Image Design Log |
| | | | Chapter 12. Molecola Sogni: Toward a Weightless History |
| | | | Source Photos |
| | | | Building the Image |
| | | | Molecola Sogni Image Design Log |
| | | | Chapter 13. Una Passione Perfetta: Creating Dynamic Precision |
| | | | Source Photos |
| | | | Building the Image |
| | | | Una Passione Perfetta Image Design Log |
| | | | Chapter 14. Parte Interna: Building Visual Tension |
| | | | Source Photos |
| | | | Building the Image |
| | | | Parte Interna Image Design Log |
| | | Glossary |
| | | | A |
| | | | B |
| | | | C |
| | | | D |
| | | | E |
| | | | F |
| | | | G |
| | | | H |
| | | | I |
| | | | J-K |
| | | | L |
| | | | M-N-O |
| | | | P |
| | | | Q |
| | | | R |
| | | | S |
| | | | T-U |
| | | | V-W |
| | | | X-Y-Z |
| | | Index |