| | | Copyright |
| | | Acknowledgments |
| | | Chapter 1. Getting Started |
| | | | Who This Book Is For |
| | | | What You'll Need |
| | | | Where to Begin |
| | | | There's Nothing to Fear but Bad Images |
| | | Chapter 2. What Is Raw? |
| | | | How a Digital Camera Sees |
| | | | Anatomy of an Image |
| | | | How Your Camera Makes a JPEG Image |
| | | | How Your Camera Makes a Raw Image |
| | | | Raw Concerns |
| | | | Choosing a Converter |
| | | Chapter 3. Image Editing Basics |
| | | | Color Information Theory |
| | | | Correcting Tone and Contrast with Levels |
| | | | Correcting Tone and Contrast with Curves |
| | | | Too Much of a Good Thing: Recognizing Overcorrection |
| | | | Ready to Raw and Roll |
| | | Chapter 4. Getting Started with Camera Raw |
| | | | The Raw Format |
| | | | Getting Started |
| | | | The Camera Raw Interface |
| | | | Processing an Image Using Camera Raw |
| | | | Camera Raw in Action |
| | | | Summary |
| | | Chapter 5. Workflow |
| | | | XMP: The Key to Camera Raw Editing |
| | | | Working with Individual Images |
| | | | Defining a Raw Workflow |
| | | | Raw Workflow with Camera Raw |
| | | | Summary |
| | | Chapter 6. Advanced Editing in Camera Raw |
| | | | Camera Raw Interface Revisited |
| | | | Where the Bits Are: Linear vs. Nonlinear Data |
| | | | Going Further with Raw Controls |
| | | | Curves: Another Interface to the Camera Raw Controls |
| | | | More Camera Raw Editing Examples |
| | | | Making Localized Corrections |
| | | | Creating High-Dynamic-Range Images |
| | | | Conclusion |
| | | Chapter 7. Shooting Raw |
| | | | Assessing Your Camera's Capabilities for Shooting Raw |
| | | | Shooting HDR |
| | | | Conclusion |
| | | Index |