Reason 3 For Windows and Mac

Index

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Macintosh platform

     audio drivers

         Audio Preferences 2nd

     audio editing programs

    installing Reason 3.0

         audio hardware requirements

         installing Reason 3.0

         Reason setup wizard 2nd 3rd

         sound banks 2nd

         system requirements

major intervals

Malström Graintable Synthesizer

    audio inputs

         external synths 2nd

         external synths through filters 2nd

         Mod A use on oscillators

     comb filters 2nd

     creating 2nd

    creating pads

         Mod A pitch knob 2nd

         Mod B pitch knob

         modulating Osc B and Mod A

         setting up Mod A to control OscA

         setting up Osc B

         setting up/programming OscA

         typical sustained voice

         vibrato

     filter envelopes

     formants, shifting

     Mod wheel controls

    routing signals

         adding shapers to Osc A

         Shaper section

     Spread knob for outputs

     velocity controls

    waveforms

         adjusting motion 2nd

         changing

         Index slider 2nd

     writing melody tracks

mastering

    MClass Compressor

         breathing

         compression setup

         pumping

         subchain de-essing

         subchain ducking 2nd

         terminology

         three-band compression 2nd 3rd

    MClass Equalizer

         adjusting 2nd

         boosting high frequencies

         cutting subsonic frequencies

         Q dip

         subchain de-essing

     MClass Master Suite Combi

     MClass Maximizer 2nd

     MClass Stereo Imager 2nd 3rd

    multiband compressors

         splitting low-and high-band outputs 2nd

         three-band compression 2nd 3rd

     overview

     setup checks

     system checks

Matrix Pattern Sequencer

    Curve settings

         Randomize Pattern command

         sequencing parameters

     Edit commands

     Gate settings

         CV input/output

         Edit commands

     instruments, connecting to Mixer channels

     Note CV input/output

     sequencing with Combinator

     sounding notes on Matrix

MClass Compressor

     breathing

     compression setup

     pumping

    subchaining

         de-essing

         ducking 2nd

     terminology

     three-band compression 2nd 3rd

MClass Equalizer

     adjusting 2nd

     boosting high frequencies

     Q dip

     subchain de-essing

MClass Mastering Suite Combi 2nd

     new features

MClass Maximizer 2nd

MClass Stereo Imager 2nd 3rd

metronome

Microsoft multimedia extensions [See MMEs]

Microsoft/IBM WAV format

MIDI controls, SubTractor

     Bend wheel

     Mod wheel

MIDI keyboards

     computer music notation

     connecting

     external input 2nd

     selecting during installation 2nd

MIDI tracks

    recording

        routing to NN-19 [See tracks]

minor intervals

Missing Sounds dialog box

Mixer

     chaining in parallel 2nd

     creating

    instruments

         balancing multiple parts

         setup

     master Mixer

         automating

     new features

    playing songs

         audio channels indicators

         channel fader control for volume

         Solo/Mute buttons

mixing

    automating mixes

         master Mixer

         recording mix moves with Sequencer 2nd

     controlling devices with multiple Sequencer tracks 2nd

     definition

     guidelines 2nd

    saving

         mixing notes with songs

         multiple mixes

     signal levels, maintaining headroom

     submixing 2nd

         master Mixer

         organizing submixes

         starting project inside Combinator

         with Combinator

     unity gains

    with Combinator

         remixing 2nd 3rd 4th

MMEs (Microsoft multimedia extensions)

     audio driver preferences

     hardware compatibility

mod envelopes

    NN-XT

         for brightness 2nd

         for pitch 2nd

     SubTractor

         adjusting sustain, decay, and release values

         pitch-modulating Osc 1 with attack

         using decay stage on short notes

Mod wheel

     Dr. Rex Loop Player

     SubTractor

Mode controls, articulation of notes 2nd

modulation envelope [See mod envelopes]

mono samples, panning

multi-track recording

     hardware and software required

     Reason 3.0

     shareware and freeware

multiband compressors

     splitting low-and high-band outputs 2nd

     three-band compression 2nd 3rd

multiplication phase type, waveforms

musical instrument digital interface [See MIDI keyboards]

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