iMovie 6 & iDVD: The Missing Manual
5.7. The Movie Track: Your Storyboard
Most of your iMovie time will be spent in the Movie Trackthe horizontal strip at the bottom of the screen. The idea is that you'll drag the edited clips out of the Clips pane and into the correct order on the Movie Track, exactly as though you're building a storyboard or timeline. As noted at the beginning of this chapter, the Movie Track offers two different views: the Clip Viewer and the Timeline Viewer. Both are illustrated in Figure 5-9. In either view, you can freely rearrange clips by dragging them. In the Clip Viewer, just drag them horizontally; in the Timeline Viewer, drag them up and over (or down and under) the adjacent clips, rather than directly to the side. Tip: As you drag over them, the existing clips scoot out of the way, which can drive you crazy. In that case, hold down the Moreover, you can freely drag clips back and forth between the Clips pane and the Movie Track. Figure 5-9. Top: When you click the film strip icon (indicated by the cursor), you see your camcorder footage.Bottom: Click the clock icon to see the Timeline Viewer, which reveals your audio tracks and shows the relative lengths of your clips. You can even rearrange your clips in the Timeline Viewer, as long as you master the knack of dragging them up (or down) and around the adjacent clips.
Remember, by the way, that you can switch the Movie Track between its two viewers by pressing 5.7.1. Readouts in the Movie Track
iMovie identifies the name of your movie at the top of the window (and its format: DV-NTSC, for example, or HD-1080i-30 for "high-definition, 1080 interlaced scan lines, 30 frames per second"). At the very bottom of the window, you can see the name of the selected clip (or how many clips are selected), and how long it is relative to the whole movie. Tip: iMovie can also tell you when a certain clip was filmed. Just double-click the clip you're wondering about. The resulting dialog box includes a line for Capture date, which lets you know when you shot that clip. It's an extremely useful little statisticlike the date stamp on the back of a Kodak print. 5.7.2. Dragging to the Movie Track
There's not much to using the Movie Track: Just drag a clip from the Clips pane directly onto it. For your visual pleasure , iMovie shows you a ghosted , translucent image of the clip's first frame as you drag. Here are a few tips for making the most of this Clips panetoMovie Track procedure:
Tip: As you're building your film on the Movie Track, think in terms of sequences of shots. By 5.7.3. Copying and Pasting Clips
Dragging isn't the only way to move footage around in iMovie; the Copy, Cut, and Paste commands can be more convenient . For one thing, you don't need the mouse. For another, if you copy a clip from the Clips pane instead of dragging it, you leave a copy of the original behind. Later, if you've really made a mess of chopping up the clip in your Movie Track, you can return to the copyyour backupwithout sacrificing the other editing work you've done since you made the copy. (Of course, the Revert Clip to Original command can do the same thing, but maintaining a whole, untouched original on the Clips pane is visual and easier to understand.) For example, you can move a clip from the Clips pane to the Movie Track by clicking it, pressing In fact, you can cut or copy clips out of one iMovie project and then paste them into a different one. The pasting process may take some time, because iMovie must move huge multimegabyte video files around on your hard drive. But this feature can come in very, very handy. Note: When you copy and paste clips within a single project, you're not duplicating any files on your hard drive, so copying and pasting clips doesn't eat away at your remaining free space. But when you paste into a different project, you may be using far more disk space than you think; see Section 5.3.1. You may wonder how you're supposed to know where your cut or copied footage will appear when pasted. After all, there's no blinking insertion point to tell you. The scheme is fairly simple:
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