Andrew Rollings and Ernest Adams on Game Design
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G-forces vehicle simulations 2nd Gabriel Knight 3 third-person perspective in adventure games Gabriel Knight series narrative Galaxian wildcard enemies in action games Galaxians interaction model for action games pattern recognition game balance 2nd 3rd 4th and game theory 2nd as trial-and-error dynamic balance 2nd consistent challenges, importance of 2nd difficulty levels 2nd 3rd interaction models 2nd 3rd 4th 5th 6th 7th 8th 9th 10th 11th perception of fairness 2nd 3rd 4th 5th stagnation, avoiding 2nd trivialities, avoiding 2nd 3rd static balance 2nd 3rd 4th combinatorial effects 2nd dominant strategies 2nd 3rd 4th 5th 6th 7th emergence 2nd 3rd 4th feedback loops 2nd payoff strategies 2nd symmetry 2nd 3rd 4th 5th 6th 7th 8th 9th 10th 11th 12th 13th 14th 15th trade-offs 2nd techniques for achieving 2nd analysis of player statistics 2nd designing for parameter modification 2nd 3rd 4th prototyping 2nd worksheet 2nd Game Boy Advance as controller for Nintendo GameCube game concepts beginning as dreams 2nd developing dreams into games 2nd inspiration from other games 2nd inspiration from other media 2nd 3rd need for multiple ideas 2nd worksheet for 2nd game consoles. [See home video game consoles] game controllers capabilities user interface design 2nd 3rd game design as art as craft 2nd as science design documents Chris Taylor's design template 2nd design scripts 2nd 3rd 4th 5th 6th development role of game treatments 2nd 3rd 4th 5th 6th 7th 8th 9th 10th 11th 12th 13th 14th 15th 16th 17th 18th 19th 20th 21st 22nd 23rd 24th 25th 26th 27th 28th high-concept documents 2nd 3rd 4th 5th 6th 7th 8th 9th 10th 11th 12th intellectual property rights 2nd pictures in 2nd sales role of types of 2nd documentation during game script 2nd game treatment 2nd high-concept document 2nd importance of 2nd elements of 2nd core mechanics 2nd interactivity 2nd storytelling and narrative 2nd genre elements identifying 2nd importance of 2nd intelligent design tools future of game programming 2nd motivation for art-driven games designer-driven games 2nd entertainment 2nd license exploitation 2nd market-driven games 2nd technology-driven games 2nd origin of games 2nd process of study of testing game designers characteristics of 2nd aesthetic competence 2nd analytical competence 2nd compromise, ability to 2nd drawing skills general knowledge 2nd imagination 2nd mathematical competence 2nd technical awareness 2nd writing skills 2nd game genres future of 2nd action games 2nd adventure games 2nd construction and management simulations 2nd role-playing games 2nd sports games 2nd strategy games 2nd vehicle simulations 2nd game hardware future of 2nd 3rd group ride simulators 2nd handheld machines 2nd home video game consoles 2nd 3rd 4th 5th 6th individual networked simulators 2nd PCs 2nd 3rd 4th 5th 6th video arcades 2nd virtual reality 2nd game programming future of 2nd animation 2nd 3rd 4th 5th 6th automated programming 2nd 3rd 4th 5th 6th 7th 8th natural language processing 2nd 3rd 4th 5th 6th scene representation 2nd 3rd 4th 5th 6th 7th game script 2nd Game Theory game theory and game balance 2nd game treatment 2nd game treatments 2nd competition analysis section 2nd executive summary game world section backstory characters in game objective of game story progression overview section art and audio highlights gameplay highlights genre statement hardware requirements high-concept statement hooks license statement online highlights technology highlights production details section budget section 2nd current status section development team section 2nd schedule section title page game world section in game treatments backstory characters in game objective of game story progression game worlds. [See worlds ] GameCube controllers gameplay 2nd 3rd 4th "graphics versus gameplay" debate 2nd adventure games 2nd 3rd 4th 5th applied challenges 2nd conceptual challenges 2nd conflict 2nd 3rd economic challenges 2nd exploration 2nd puzzles 2nd races defined definition of 2nd for CMSs construction mechanisms 2nd demolition mechanisms 2nd indirect control 2nd language of 2nd persistent worlds versus games 2nd psychological tactics in pure challenges 2nd 3rd 4th 5th 6th coordination challenges 2nd intelligence-based challenges 2nd knowledge-based challenges 2nd 3rd 4th lateral-thinking challenges 2nd 3rd logic and inference challenges 2nd 3rd 4th 5th memory challenges 2nd 3rd moral challenges 2nd 3rd pattern-recognition challenges 2nd 3rd 4th physical challenges 2nd reflex/reaction time challenges 2nd spatial-awareness challenges 2nd 3rd 4th vehicle simulations 2nd civilian flight simulators 2nd driving simulators military flight simulators 2nd 3rd versus narrative 2nd balance between 2nd role of narrative 2nd too much narrative 2nd versus technology worksheet 2nd gameplay highlights in game treatments games abstract as entertainment 2nd audience core gamers versus casual gamers 2nd competitive cooperative defined 2nd elements of action games 2nd 3rd 4th 5th 6th 7th 8th 9th 10th 11th 12th 13th 14th 15th 16th 17th 18th 19th 20th 21st 22nd 23rd 24th 25th 26th 27th 28th 29th 30th 31st 32nd 33rd 34th 35th 36th 37th 38th 39th 40th 41st 42nd 43rd 44th 45th 46th 47th 48th 49th 50th adventure games 2nd 3rd 4th 5th 6th 7th 8th 9th 10th 11th 12th 13th 14th 15th 16th 17th 18th 19th 20th 21st 22nd 23rd 24th 25th 26th 27th 28th 29th 30th 31st 32nd 33rd 34th 35th 36th 37th 38th 39th 40th 41st 42nd 43rd 44th 45th 46th 47th 48th 49th 50th 51st 52nd analysis tools 2nd challenges 2nd 3rd CMSs 2nd 3rd 4th 5th 6th 7th 8th 9th 10th 11th 12th 13th 14th 15th 16th 17th 18th 19th 20th 21st 22nd 23rd 24th 25th 26th 27th 28th 29th 30th 31st 32nd 33rd 34th 35th 36th 37th 38th competition modes 2nd 3rd 4th 5th 6th conquest theme 2nd 3rd 4th 5th 6th 7th CRPGs 2nd 3rd 4th 5th 6th 7th 8th 9th 10th 11th 12th 13th 14th 15th 16th 17th 18th 19th 20th 21st 22nd 23rd 24th 25th 26th 27th 28th 29th 30th 31st 32nd 33rd exploration theme 2nd 3rd 4th 5th gameplay 2nd 3rd 4th 5th 6th 7th 8th 9th 10th 11th 12th 13th 14th 15th 16th 17th 18th 19th 20th interaction model 2nd 3rd 4th 5th 6th 7th 8th 9th 10th 11th 12th 13th 14th 15th 16th 17th 18th 19th interaction models 2nd loss condition 2nd loss conditions modes 2nd opponent design (AI) 2nd perspective 2nd 3rd 4th 5th 6th 7th 8th 9th 10th 11th 12th 13th 14th 15th 16th 17th 18th 19th 20th 21st 22nd 23rd 24th 25th 26th 27th 28th 29th 30th 31st 32nd 33rd 34th 35th 36th 37th player roles 2nd 3rd 4th 5th 6th 7th 8th 9th player's role 2nd realism 2nd rules 2nd 3rd 4th 5th 6th 7th 8th 9th 10th 11th 12th 13th 14th 15th 16th 17th 18th 19th 20th 21st 22nd 23rd 24th 25th 26th 27th 28th 29th 30th 31st 32nd 33rd 34th 35th 36th 37th 38th 39th 40th 41st 42nd 43rd 44th 45th 46th 47th 48th 49th 50th 51st 52nd 53rd 54th 55th 56th 57th 58th 59th setting 2nd 3rd 4th 5th 6th 7th 8th 9th 10th 11th 12th 13th 14th 15th 16th 17th 18th 19th 20th settings 2nd 3rd 4th 5th sports games 2nd 3rd 4th 5th 6th 7th 8th 9th 10th 11th 12th 13th 14th 15th 16th 17th 18th storytelling 2nd 3rd 4th 5th 6th 7th 8th 9th 10th 11th 12th 13th strategy games 2nd 3rd 4th 5th 6th 7th 8th 9th 10th 11th 12th 13th 14th 15th 16th 17th 18th 19th 20th 21st 22nd 23rd 24th 25th 26th 27th 28th 29th 30th 31st structure structure of sports games 2nd theme 2nd 3rd themes 2nd trade theme 2nd 3rd user interface 2nd 3rd user interface design 2nd 3rd 4th 5th 6th 7th 8th 9th 10th 11th 12th 13th 14th 15th 16th 17th 18th 19th 20th 21st 22nd 23rd 24th 25th 26th vehicle simulations 2nd 3rd 4th 5th 6th 7th 8th 9th 10th 11th 12th 13th 14th 15th 16th 17th 18th 19th 20th 21st 22nd 23rd 24th 25th 26th 27th victory condition 2nd 3rd 4th victory conditions 2nd 3rd 4th 5th 6th 7th 8th 9th 10th 11th 12th four-dimensional genres of 2nd combining 2nd inspiration for game ideas 2nd multiplayer platform types handheld game machines 2nd home game consoles miscellaneous devices 2nd personal computers 2nd realistic rules defined saving 2nd advantages of 2nd automatic-save feature disadvantages of 2nd dramatic tension, effect on quick-save feature 2nd reasons for 2nd suspension of disbelief, effect on to files 2nd single-player team three-dimensional two-dimensional versus persistent worlds gameplay 2nd player roles 2nd storytelling 2nd games as art form 2nd awards for art versus craft 2nd breaking new artistic ground 2nd critics and reviewers, need for 2nd interactive artwork 2nd principles of aesthetics 2nd games for girls 2nd determining girls • interests Mattel •s approach 2nd 3rd misconceptions about 2nd stereotypes in Gangsters settings for strategy games Gangsters II settings for strategy games Gauntlet arcade game as action game example cooperative multi-play 2nd monster generators in action games 2nd warp exits in action games Gauntlet II updates for classic games Gauntlet Legends 2D shooters updates for classic games 2nd gedanken experiment Gemstone harmony Gender Blending (Devor) general knowledge (characteristics of game designers) 2nd genetic A-life games genome design 2nd inheritance of acquired characteristics 2nd learned behavior 2nd life span and natural selection 2nd mutation player roles sexual reproduction 2nd genome design genetic A-life games 2nd genre elements identifying 2nd genre statements in game treatments genres of action games 2nd non-shooters 2nd 3rd 4th shooters 2nd 3rd 4th 5th 6th 7th 8th genres of games 2nd combining 2nd genres. [See game genres] gesture-recognition devices Gettysburg user interface design in strategy games 2nd Gilbert, Ron The Secret of Monkey Island girls • games. [See games for girls] glTron spatial-awareness challenges Go strategy games worksheet goals for athletes sports games 2nd Golden Axe victory conditions in action games 2nd Golden Tee user interface design for golf games Goldeneye core gamers versus casual gamers player's role golf games user interface design 2nd 3rd Gollop, Julian quote Grand Prix Legends coordination challenges Grand Theft Auto III locked door and key in action games settings for strategy games grandstand view (driving simulators) graphic adventure games user interface design evolution of 2nd 3rd 4th 5th 6th graphics importance of simulating matches without graphics. [See pictures] greed as call to adevnture Grim Fandango context-sensitive perspective in adventure games direct control interfaces in adventure games storytelling storytelling in games ground target view (flight simulators) group ride simulators future of game hardware 2nd growth cycle for character development 2nd 3rd Gunfight character design Guybrush Threepwood (character) scripted conversations with
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