Andrew Rollings and Ernest Adams on Game Design
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Sagan, Carl quote sailing ship simulations sales role of design documents Samba De Amigo game controller capabilities physical challenges sample high-concept document 2nd 3rd save-game feature adventure games saving games 2nd advantages of 2nd automatic-save feature disadvantages of 2nd dramatic tension, effect on quick-save feature 2nd reasons for 2nd suspension of disbelief, effect on to files 2nd scale of game worlds 2nd 3rd scary versus spooky in games for girls scavenger model (persistent worlds) scene representation future of game programming 2nd mathematical representations 2nd procedural representations real-time ray tracing 2nd schedule section in game treatments Schubert •s Law of Player Expectations sci-fi settings for strategy games 2nd science game design as Scissors, Paper, Stone intransitive relationships 2nd 3rd Scooby Doo cute sidekicks score in action games 2nd score indicator user interface design 2nd screen layouts user interface design 2nd 3rd Script Creation Utility for Maniac Mansion (SCUMM) script for audio commentary writing 2nd scripted conversations with NPCs 2nd 3rd 4th scripts. [See design scripts] scrolling in games 2nd SCUMM (Script Creation Utility for Maniac Mansion) Sea Dogs II pirate games season mode sports games secret data visibility of ensuring fairness in online games secret exits in action games 2nd secure telecommunications protocols ensuring fairness in online games 2nd self-adjusting plots future of game programming 2nd selling items in CMSs 2nd sense of speed vehicle simulations 2nd sensual interfaces in games for girls sequences for puzzle games serials 2nd 3rd series 2nd 3rd setting adventure games 2nd emotional tone 2nd for CMSs 2nd for strategy games 2nd of CRPGs 2nd Anachronox 2nd Arcanum\: Of Steamworks and Magick Obscura 2nd Fallout 2nd Nox 2nd Planescape\: Torment 2nd settings for games defined 2nd purpose of 2nd "graphics versus gameplay" debate 2nd harmony 2nd suspension of disbelief 2nd sports games 2nd settings for games. [See also worlds] settings in game worlds overused 2nd settings of games vehicle simulations 2nd sexual desirability in character design sexual reproduction genetic A-life games 2nd sexual temptation as call to adventure shadow costs combinatorial effects intransitive relationships 2nd transitive relationships 2nd shadows 2nd 3rd 4th shape shifters 2nd shell interface (user interface design) 2nd ship simulators 2nd 3rd 4th shooters (action games) 2nd 3rd 4th 5th 6th 7th 8th 2D shooters 2nd fighting games 2nd 3rd first-person shooter (FPS) first-person shooters (FPS) 3D elements of 2nd field of vision in 2nd space shooters 2nd 3rd shortcut keys user interface design Sid Meier •s Civilization strategy games Sid Meier •s Colonization exploration in strategy games 2nd side view (vehicle simulations) side-scrolling perspective sidekicks 2nd 3rd 4th Sim City conceptual challenges versus The Sims victory conditions Sim City series cultural context of game worlds Sim Tower versus The Sims SimAnt behavior modeling CMSs SimCity analysis tools in CMSs behavior modeling case study 2nd 3rd CMSs construction mechanisms software toys SimCity 4 user interface in strategy games SimFarm CMSs Simon memory challenges 2nd simplification puzzle games SimTower CMSs simulating individual people CMSs 2nd mind-reading analysis tools simulating matches automatically sports games 2nd simulation versus storytelling simulation mode versus arcade mode sports games 2nd Sin shadows single-player games Sinistar mini-maps in action games pattern recognition time limits in action games size of design scripts 2nd skill system (CRPGs) versus class system skills of game designers. [See characteristics of game designers] skills of sims The Sims Skylark (Smith) Sly Boots as hero smart bombs in action games 2nd 3rd Smith, E.E. "Doc" (Lensman and Skylark (ITALIC)) Snakes spatial-awareness challenges Snap pattern recognition reflex/reaction time challenges Snider, Tess soccer games player expectations in user interface design 2nd social interaction advantages of online games 2nd social model (persistent worlds) software toys defined Sokoban game genres Soldier of Fortune violence in games 2nd 3rd 4th solitaire card games solitaire games Sonic character design Sonic the Hedgehog perspective user interface Sorites Paradox Soul Reaver future of action games sound physical surroundings in game worlds 2nd sound effects user interface design 2nd sources for resources in CMSs 2nd Space Invader pattern recognition Space Invaders 2D shooters call to adventure gameplay versus narrative interaction model for action games shadows space shooters storytelling victory conditions for action games victory conditions in action games violence in games waves of enemies in action games space shooters (action games) 2nd 3rd Space Tripper 2D shooters 3D elements of checkpoints in action games color in action games power points in action games power-ups in action games space shooters 2nd spacecraft simulators 2nd spatial dimensions of game worlds 2nd spatial-awareness challenges 2nd 3rd 4th speech future of game programming 2nd speed vehicle simulations 2nd speed (athlete rating) speed in game worlds speed of delivery electronic distribution of games speed of movement in adventure games Speedball 2100 invented sports Spongebob Squarepants spooky versus scary in games for girls sports games 2nd case study Madden NFL Football 2nd design issues arcade mode versus simulation mode 2nd athlete AI design 2nd 3rd athlete injuries 2nd athlete rating systems 2nd 3rd audio commentary 2nd 3rd 4th 5th home field advantage 2nd instant replay 2nd invented sports 2nd physics of sports games 2nd simulating matches automatically 2nd trademarks and publicity rights 2nd 3rd 4th widely separated action 2nd 3rd elements of competition modes 2nd interaction model perspective 2nd player roles 2nd 3rd rules 2nd settings 2nd structure 2nd user interface design 2nd victory and loss conditions 2nd future of 2nd terminology for 2nd worksheet for 2nd SPS (Scissors-Paper-Stone) mechanism resolving conflict in strategy games 2nd 3rd 4th 5th 6th Spyro the Dragon action games worksheet cute sidekicks third-person perspective in adventure games SSX Tricky story-driven character design 2nd stagnation, avoiding 2nd Star Trek interactivity Star Trek syndrome settings for strategy games Star Trek\: The Next Generation future of games Star Wars setting in CRPGs themes in CRPGs Star Wars Galaxies faction-based player-versus-player killing player misbehavior in online games Raph Koster as lead designer Star Wars games foreshadowing StarCraft conquest in strategy games Starcraft dialogue writing dynamic balance 2nd game controller capabilities gameplay invisible user interface language as part of character development music in games 2nd StarCraft resource distribution in strategy games Starcraft strategy games worksheet 2nd three-dimensional games user interface design in strategy games Starfleet Command III conquest in strategy games 2nd Starfox series character design Starship Troopers\: Terran Ascendancy 3D user interface design 2nd 3rd state space (sports games) 2nd 3rd static balance 2nd 3rd 4th combinatorial effects 2nd dominant strategies 2nd 3rd 4th 5th 6th 7th emergence 2nd 3rd 4th feedback loops 2nd payoff strategies 2nd symmetry 2nd intransitive relationships 2nd 3rd transitive relationships 2nd 3rd 4th 5th 6th 7th 8th 9th 10th trade-offs 2nd static equilibrium in CMSs 2nd 3rd 4th stats juggling status indicators user interface design 2nd 3rd stealth in conflict games 2nd Steel Battalions game controller capabilities stereotypes in games for girls Stonkers user interface design in strategy games 2nd story progression in game treatments story-driven character design 2nd 3rd character development 2nd 3rd 4th believable characters 2nd character growth cycle 2nd 3rd storyteller determining 2nd storytelling 2nd 3rd 4th 5th 6th 7th 8th and interactivity backstories 2nd backstory empathy for hero 2nd importance of determining storyteller 2nd foreshadowing 2nd 3rd hero's journey 2nd call to adventure 2nd 3rd 4th circular story form 2nd 3rd innermost cave approach 2nd journey back to ordinary world 2nd 3rd list of steps 2nd mentor meeting 2nd ordeal stage 2nd ordinary world 2nd 3rd 4th refusal of call to adventure 2nd resurrection stage 2nd return with reward stage 2nd reward stage 2nd 3rd testing of hero 2nd threshold crossing 2nd 3rd universal story form 2nd in adventure games 2nd death of avatar 2nd dramatic tension 2nd heroic quest 2nd in CRPGs importance of 2nd 3rd opening stories 2nd 3rd 4th 5th 6th 7th 8th 9th 10th 11th 12th themes 2nd monomyth 2nd 3rd multi-part stories 2nd episodic delivery 2nd 3rd serials 2nd 3rd series 2nd 3rd persistent worlds versus games 2nd prologue research of 2nd self-adjusting plots future of game programming 2nd story spectrum 2nd 3rd theme of story three-act structure 2nd 3rd plot pacing 2nd 3rd 4th versus simulation worksheet 2nd storytelling. [See also narrative]2nd [See also character design] Stratego game settings strategy in conflict games 2nd strategy games 2nd 3rd 4th analyzing board games for board games as root of converting to board games elements of conquest theme 2nd 3rd 4th 5th 6th 7th exploration theme 2nd 3rd 4th 5th interaction model 2nd opponent design (AI) 2nd perspective 2nd 3rd setting 2nd theme 2nd 3rd trade theme 2nd 3rd user interface 2nd 3rd future of 2nd real-time 2nd 3rd rules of play conquest strategy games The Settlers of Catan example 2nd turn -based 2nd user interface design evolution of 2nd 3rd 4th 5th 6th 7th 8th 9th 10th worksheet 2nd Street Fighter series fighting games strongly dominant strategies game balance structure of games defined structure of sports games 2nd study of game design styles in game worlds 2nd submarine simulations success of The Sims reasons for 2nd sudden death mode sports games Sudden Strike 3D user interface design 2nd user interface design in strategy games 2nd Super Mario coordination challenges transitive relationships 2nd Super Mario 64 interaction model for action games user interface design in action games Super Mario Advance pattern recognition Super Mario Brothers movie version two-dimensional games Super Mario Kart vehicle simulations Super Mario Sunshine boss characters in action games perspective in action games Super Mario World compared to Defender in difficulty level 2nd secret exits in action games user interface design in action games Super Monkey Ball character design storytelling Super Monkey Ball 1 and 2 non-shooter action games Super Smash TV updates for classic games Super Turbo Street Fighter 2 dominant strategies (game balance) 2nd super-human vision in action games super-sensuality in character design 2nd 3rd 4th 5th 6th 7th superficial characters supply lines. [See resource distribution] survival in conflict games 2nd suspension of disbelief 2nd disadvantages of online games effect of saving games on swordfight in The Secret of Monkey Island Swords and Circuitry (Hallford) 2nd symmetry (game balance) 2nd intransitive relationships 2nd 3rd transitive relationships 2nd 3rd 4th 5th 6th 7th 8th 9th 10th
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