3ds Max 9 Bible

Now that you've learned how to assign controllers, let's look at the available controllers. Max includes a vast assortment of controllers, and you can add more controllers as plug-ins.

Earlier in the chapter, I mentioned six specific controller types. These types define the type of data that the controller works with. This section covers the various controllers according to the types of tracks with which they work.

Each of these controllers has a unique icon to represent it in the Track View. This makes them easy to identify.

Transform controllers

Multi-track transform controllers work with the Position, Rotation, and Scale tracks all at the same time. You access them by selecting the Transform track in the Motion panel and then clicking the Assign Controller button, or by choosing the Animation Transform Controllers menu command.

Position/Rotation/Scale Transform controller

The Position/Rotation/Scale Transform controller is the default controller for all transforms. This controller includes a Bézier controller for the Position and Scale tracks and a Euler XYZ controller for the Rotation track.

The PRS Parameters rollout, shown in Figure 32.8, lets you create and delete keys for Position, Rotation, and Scale transforms. The Position, Rotation, and Scale buttons control the fields that appear in the Key Info rollouts positioned below the PRS Parameters rollout.

Figure 32.8: The PRS Parameters rollout is the default transform controller.

Script controller

The Script controller is similar to the Expression controller, except that it can work with the MAXScript lines of code for controlling the scene. Right-clicking a track with the Script controller assigned and selecting Properties opens the Script Controller dialog box. Script controllers are available for all transform tracks including Transform, Position, Rotation, and Scale. The flexibility of the Script controller is quite robust. The Script controller is covered in more detail at the end of this chapter, as is the Expression controller.

XRef controller

If you have a defined motion used by an object in another file that you want to access, you can use the XRef controller. This controller can only be assigned to the Transform track. When this controller is assigned, a file dialog box opens where you can select the XRef file; then in the Merge Object dialog box, you can select a specific object that has the controller and motion you want to use.

In the Parameters rollout for the XRef controller is a button to open the XRef Object dialog box with the XRef Record highlighted. The Parameters rollout also lists the XRef file, object, and status.

Position track controllers

Position track controller types include some of the common default controllers and can be assigned to the Position track. They typically work with three unique values representing the X-, Y-, and Z-axes. These controllers can be assigned from the Animation Position Controllers menu. Many of the controllers found in this menu are also found in the Rotation and Scale Controllers menu.

Audio controller

The Audio controller can control an object's transform, color, or parameter value in response to the amplitude of a sound file. The Audio Controller dialog box, shown in Figure 32.9, includes Choose Sound and Remove Sound buttons for loading or removing sound files.

Figure 32.9: The Audio Controller dialog box lets you change values based on the amplitude of a sound file.

The Real Time Control drop-down list lets you specify a device to control the system. To control the sound input, you can specify a Sample Threshold and Oversampling rate. You can also set Base Point and Target Point values for each axis. The Channel options let you specify which channel to use: Left, Right, or Mix.

Bézier controller

The Bézier controller is the default controller for many parameters. It enables you to interpolate between values using an adjustable Bézier spline. By dragging its tangent vertex handles, you can control the spline's curvature. Tangent handles produce a smooth transition when they lie on the same line, or you can create an angle between them for a sharp point. Figure 32.10 shows the Bézier controller assigned to a Position track.

Figure 32.10: The Bézier controller produces smooth animation curves.

The Bézier controller parameters are displayed in the Motion panel under two rollouts: Key Info (Basic) and Key Info (Advanced).

At the top of the Key Info (Basic) rollout are two arrows and a field that shows the key number. The arrows let you move between the Previous and Next keys. Each vertex shown in the function curve represents a key. The Time field displays the frame number where the key is located. The Time Lock button next to the Time field can be set to prevent the key from being dragged in Track View. The value fields show the values for the selected track; the number of fields changes depending on the type of track that is selected.

At the bottom of the Key Info (Basic) rollout are two flyout buttons for specifying the In and Out curves for the key. The arrows to the sides of these buttons move between the various In/Out curve types. The curve types include Smooth, Linear, Step, Slow, Fast, Custom, and Tangent Copy.

The In and Out values in the Key Info (Advanced) rollout are enabled only when the Custom curve type is selected. These fields let you define the rate applied to each axis of the curve. The Lock button changes the two values by equal and opposite amounts. The Normalize Time button averages the positions of all keys. The Constant Velocity option interpolates the key between its neighboring keys to provide smoother motion.

Linear controller

The Linear controller interpolates between two values to create a straight line.

The Linear controller doesn't include any parameters and can be applied to time or values. Figure 32.11 shows the curves from the previous example after the Linear controller is assigned-all curves have been replaced with straight lines.

Figure 32.11: The Linear controller uses straight lines.

Motion Clip Slave controller

The Motion Clip Slave controller lets the object's transform be controlled by a linked motion clip that is loaded and defined in the Motion Mixer.

Noise controller

The Noise controller applies random variations in a track's values. In the Noise Controller dialog box, shown in Figure 32.12, the Seed value determines the randomness of the noise and the Frequency value determines how jagged the noise is. You also can set the Strength along each axis: The > (greater than) 0 option for each axis makes the noise values remain positive.

Figure 32.12: The Noise controller properties let you set the noise strength for each axis.

You also have an option to enable Fractal Noise with a Roughness setting.

The Ramp in and Ramp out values determine the length of time before or until the noise can reach full value. The Characteristic Graph gives a visual look at the noise over the range. Figure 32.13 shows the Noise controller assigned to the Position track. If you need to change any Noise properties, right-click the Noise track and select Properties from the pop-up menu.

Figure 32.13: The Noise controller lets you randomly alter track values.

Motion Capture controller

The Motion Capture controller allows you to control an object's transforms using an external device such as a mouse, keyboard, joystick, or MIDI device. This controller works with the Motion Capture utility to capture motion data.

After you assign the Motion Capture controller to a track, right-click the track and select Properties from the pop-up menu to open the Motion Capture panel, shown in Figure 32.14. This dialog box lets you select the devices to use to control the motion of the track values. Options include Keyboard, Mouse, Joystick, and MIDI devices.

Figure 32.14: The Motion Capture controller lets you control track values using external devices.

For the Keyboard control, the Keyboard Input Device rollout appears, as shown in Figure 32.15. The Assign button lets you select a keyboard key to track. The other settings control the Envelope Graph, which defines how quickly key presses are tracked.

Figure 32.15: The Keyboard Input Device rollout lets you select which key press is captured.

The Motion Capture dialog box defines only which device controls which values. The actual capturing of data is accomplished using the Motion Capture utility. Selecting the Motion Capture utility in the Utility panel displays the Motion Capture rollout. This rollout includes buttons to Start, Stop, and Test the data-capturing process.

Before you can use the Start, Stop, and Test buttons, you need to select the tracks to capture from the Tracks list. The Record Range section lets you set the Preroll, In, and Out values, which are the frame numbers to include. You can also set the number of Samples Per Frame. The Reduce Keys option removes any unnecessary keys, if enabled.

Tutorial: Drawing with a pencil with the Motion Capture controller

Some motions, such as drawing with a pencil, are natural motions for our hands, but they become very difficult when you're trying to animate using keyframes. This tutorial uses the Motion Capture controller and utility to animate the natural motion of drawing with a pencil.

To animate a pencil drawing on paper, follow these steps:

1. Open the  Drawing with a pencil.max file from the Chap 32 directory on the DVD.

   This file has a pencil object positioned on a piece of paper.

2. Select the pencil object, open the Motion panel, and select the Position track for the pencil object. Then click the Assign Controller button, and double-click the Position Motion Capture selection.

   The Motion Capture dialog box opens.

3. Click the X Position button, and double-click the Mouse Input Device selection. Then click the Y Position button, and double-click the Mouse Input Device selection again. In the Mouse Input Device rollout, select the Vertical option. This sets the X Position to the Horizontal Mouse movement and the Y Position to the Vertical Mouse movement. Close the Motion Capture dialog box.

4. Open the Utilities panel, and click the Motion Capture button. In the Motion Capture rollout, select the Position track, and get the mouse ready to move. Then click the Start button in the Record Controls section, and move the mouse as if you were drawing with the mouse. The pencil object moves in the viewport along with your mouse movements.

   The Motion Capture utility creates a key for each frame. It quits capturing the motion when it reaches frame 100.

5. Click the Play Animation button (or press the / key) to see the results.

Figure 32.16 shows the scene after the Motion Capture controller has computed all the frames.

Figure 32.16: The Motion Capture controller and utility let you animate with a mouse, keyboard, joystick, or MIDI device.

Quaternion (TCB) controller

The Quaternion (TCB) controller produces curved animation paths similar to the Bézier controller, but it uses the values for Tension, Continuity, and Bias to define their curvature.

The parameters for this controller are displayed in a single Key Info rollout. Like the Bézier controller rollouts, the Quarternion (TCB) controller rollout includes arrows and Key, Time, and Value fields. It also includes a graph of the TCB values; the red plus sign represents the current key's position, while the rest of the graph shows the regular increments of time as black plus signs. Changing the Tension, Continuity, and Bias values in the fields below the graph changes its shape. Right-clicking the track and selecting Properties from the pop-up menu opens the TCB graph dialog box, shown in Figure 32.17.

Figure 32.17: This dialog box shows and lets you control a curve defined by the Tension, Continuity, and Bias values.

The Tension value controls the amount of curvature: High Tension values produce a straight line leading into and away from the key, and low Tension values produce a round curve. The Continuity value controls how continuous, or smooth, the curve is around the key: The default value of 25 produces the smoothest curves, whereas high and low Continuity values produce sharp peaks from the top or bottom. The Bias value controls how the curve comes into and leaves the key point, with high Bias values causing a bump to the right of the key and low Bias values causing a bump to the left.

The Ease To and Ease From values control how quickly the key is approached or left.

Figure 32.18 shows three TCB curves assigned to the Position track of an object.

Figure 32.18: The TCB controller offers a different way to work with curves.

Reaction controller

The Reaction controller changes its values as a reaction to another controller. This controller is different from the Attachment controller in that the motions don't need to be in the same direction. For example, you can have one object rise as another object moves to the side.

After the Reaction controller is assigned to a track, you can define the reactions using the Reaction Manager dialog box, shown in Figure 32.19. Selecting and right-clicking the track with this controller assigned and selecting Properties from the pop-up menu opens this dialog box. You can also open the Reaction Manager dialog box using the Animation Reaction Manager menu.

Figure 32.19: The Reaction Manager dialog box lets you set the parameters of a reaction.

The Reaction Manager is made up of two lists and a graph of function curves. The top list holds all the object values that are involved in reactions. These are listed in a hierarchy with the master object listed above the slave object. A single master object can control several slave parameters.

The buttons above the Reactions list let you add new masters, slaves, and selected objects to the list. The cursor changes after you click any of these buttons, allowing you to click an object in the viewport and select a value from a pop-up menu.

For the slave objects selected in the Reactions list, you can set states using the buttons above the States list. To set a state, click the Create Mode button, drag the Time Slider to appropriate frame, and change the slave object's value. Then click the Add State button to create the target object state. Several unique states can be defined for each slave object.

State values can be changed by accessing the Edit Mode button or by editing the curves displayed at the bottom of the Reaction Manager dialog box.

Tutorial: Rotating gears with the Reaction controller

Many mechanical devices use gears, and animating these gears can be tricky because every adjacent gear rotates in the opposite direction. Animating by linking the gears together causes one gear to rotate around the other one. You can achieve this motion by animating the rotation of every gear individually, or you can use the Reaction controller to make the gears work like they are supposed to-which is what we do in this tutorial.

To rotate gears using the Reaction controller, follow these steps:

1. Open the  Reaction rotating gears.max file from the Chap 32 directory on the DVD.

   This file contains some gears created using the Ringwave primitive. The lower gear is animated rotating about its center.

2. Select the upper gear, open the Motion panel, and click the Rotation track. Then click the Assign Controller button located in the Assign Controller rollout, and select Rotation Reaction from the dialog box that appears.

   The Reaction Manager dialog box opens.

3. In the Reactions list of the Reaction Manager, select the Unassigned item, right-click, and choose Replace Master from the pop-up menu to enter pick mode. Then click the lower gear object in the viewport, and choose Transform Rotation from the pop-up menu that appears.

   This adds both gears to the Reaction Manager with Gear2/Rotation being the master and Gear1/ Rotation being the slave.

4. Drag the Time Slider to frame 100 (or press the End key), select the upper gear, choose the Select and Rotation tool, and click the Create Mode button in the Reaction Manager. Rotate the upper gear about its Z-axis 180 degrees counterclockwise. Then click the Create State button to create a new state. Then click the Create Mode button again to disable it.

   This creates another reaction called State02 in the list.

5. Click the Play Animation button (or press the / key) to see the gears move together.

Figure 32.20 shows the two gears and the Reaction Manager dialog box. The second gear rotates in the opposite direction of the first gear.

Figure 32.20: The Reaction controller animates these two opposite rotating gears.

Spring controller

The Spring controller is similar in many ways to the Flex modifier in that it adds secondary motion associated with the wiggle of a spring after a force has been applied and then removed. When the Spring controller is applied, a panel with two rollouts appears. These rollouts, shown in Figure 32.21, let you control the physical properties of the spring and the forces that influence it.

Figure 32.21: The Spring controller rollouts can add additional springs and forces.

In the Spring Dynamics rollout, you can change the Mass and Drag values. Higher mass values result in greater secondary motion as the object is moved, and the Drag value controls how quickly the bouncing motion stops. You can add multiple springs, each with its own Tension and Damping values to be applied Relative or Absolute.

The Forces, Limits, and Precision rollout lets you add forces that affect the spring motion. The Add button lets you identify these forces, which are typically Space Warps, and you can limit the effect to specific axes.

Tutorial: Wagging a tail with the Spring controller

One of the best uses of the Spring controller is to gain the secondary motion associated with an existing motion. For example, if a character moves, then an appendage such as a tail can easily follow if you apply a Spring controller to it.

To wag a row of spheres using the Spring controller, follow these steps:

1. Open the  Dog wagging tail.max file from the Chap 32 directory on the DVD.

   This file contains a linked row of spheres with the head sphere animated rotating back and forth.

2. Select the smallest sphere, and choose the Animation Position Controllers Spring menu command. This moves the sphere to its parent. Choose the Select and Move button (or press the W key), and return the sphere to its original position.

3. Repeat Step 2 for the remaining spheres, moving from smallest to largest.

4. Click the Play Animation button (or press the / key) to see the resulting motion.

Figure 32.22 shows a frame of the final motion. Notice that the spheres aren't lined up exactly. The smallest sphere is moving the greatest distance because all the springs are adding their effect.

Figure 32.22: The Spring controller adds secondary motion to the existing motion of the largest sphere.

Position XYZ controller

The Position XYZ controller splits position transforms into three separate tracks, one for each axis. Each axis has a Bézier controller applied to it, but each component track can be assigned a different controller. The Position XYZ Parameters rollout lets you switch between the component axes.

The Rotation tracks use a variety of controllers, many of them common to the Position track. This section lists the controllers that can be used only with the Rotation track.

Rotation and Scale track controllers

The Rotation and Scale track controller types include some of the common default controllers and can be assigned to the Rotation and Scale tracks. They typically work with three unique values representing the X-, Y-, and Z-axes. These controllers can be assigned from the Animation Rotation (Scale) Controllers menu. Many of the controllers found in this menu are also found in the Position Controllers menu. Only the controllers unique to the Rotation and Scale tracks are covered here.

Euler XYZ Rotation controller

The Euler XYZ Rotation controller lets you control the rotation angle along the X-, Y-, and Z-axes based on a single float value for each frame. Euler rotation is different from Max's default rotation method (which is quaternion rotation and not as smooth).

The main difference is that Euler rotation gives you access to the function curves. Using these curves, you can smoothly define the rotation motion of the object.

The Euler Parameters rollout lets you choose the Axis Order, which is the order in which the axes are calculated. You can also choose which axis to work with.

Smooth Rotation controller

The Smooth Rotation controller automatically produces a smooth rotation. This controller doesn't add any new keys; it simply changes the timing of the existing keys to produce a smooth rotation. It does not have any parameters.

Scale XYZ controller

Max has one controller that you can use only in Scale tracks. The Scale XYZ controller breaks scale transforms into three separate tracks, one for each axis. This feature enables you to precisely control the scaling of an object along separate axes. It is a better alternative to using Select and Non-Uniform Scale from the main toolbar because it is independent of the object geometry.

The Scale XYZ Parameters rollout lets you select which axis to work with. This controller works the same way as the other position and rotation XYZ controllers.

Parameter controllers

Other controllers are used to affect the animated changes of parameters whether they are float, point3, or other parameter types. Many of these controllers combine several controllers into one, such as the List and Block controllers. Others include separate interfaces, such as the Waveform controller for defining the controller's functions.

Most of these special-purpose controllers can be assigned only by using the Track View window. The Motion panel contains only the tracks for transformations.

Boolean controller

The Boolean controller, like the On/Off controller, can hold one of two states: 0 for off and 1 for on. But, unlike the On/Off controller, the Boolean controller changes only when a different state is encountered.

Limit controller

The Limit controller sets limits for the motion or parameters of the selected controller. It is applied on top of the existing controller and opens the Limit Controller dialog box, shown in Figure 32.23, when applied.

Figure 32.23: The Limit controller dialog box lets you set upper and lower limits for the current controller value.

The upper limit is the maximum value to which the controller can be set, and the lower limit is the minimum value that the controller uses. Controller values may exceed the upper and lower limit values, but the object's motion stops at the limit values when the Limit controller is enabled. The Smoothing Buffer value provides a range that gradually alters the value as it approaches the limit value.

After a Limit controller is applied to an object, you can quickly change its upper and lower limit values by right-clicking the object in the Track View and accessing the Limit Controller option in the quadmenu.

List controller

You can use the List controller to apply several controllers at once. This feature enables you to produce smaller, subtler deviations, such as adding some noise to a normal Path controller.

When the List controller is applied, the default track appears as a subtrack along with another subtrack labeled Available. By selecting the Available subtrack and clicking the Assign Controller button, you can assign additional controllers to the current track.

All subtrack controllers are included in the List rollout of the Motion panel. You also can access this list by right-clicking the track and selecting Properties from the pop-up menu. The order of the list is important because it defines which controllers are computed first.

The Set Active button lets you specify which controller you can interactively control in the viewport; the active controller is marked with an arrow, which is displayed to the left of the name. You also can cut and paste controllers from and to the list. Because you can use the same controller type multiple times, you can distinguish each one by entering a name in the Name field.

On/Off controller

The On/Off controller works on tracks that hold a binary value, such as the Visibility track; you can use it to turn the track on and off or to enable and disable options. In the Track View, each On section is displayed in blue, with keys alternating between on and off. No parameters exist for this controller. Figure 32.24 shows a Visibility track that has been added to a sphere object. This track was added using the Trac Visibility Track Add menu command. You can add keys with the Add Keys button. Each new key toggles the track on and off.

Figure 32.24: The On/Off controller lets you make objects appear and disappear.

Waveform controller

The Waveform controller can produce regular periodic waveforms, such as a sinusoidal wave. Several different waveform types can make up a complete waveform. The Waveform Controller dialog box, shown in Figure 32.25, includes a list of all the combined waveforms. To add a waveform to this list, click the Add button.

Figure 32.25: The Waveform Controller dialog box lets you produce sinusoidal motions.

When you select a waveform in the list, you can give it a name and edit its shape using the buttons and values. Preset waveform shapes include Sine, Square, Triangle, Sawtooth, and Half Sine. You can also invert and flip these shapes.

The Period value defines the number of frames required to complete one full pattern. The Amplitude value sets the height of the wave, and the Phase value determines its location at the start of the cycle. The Duty Cycle value is used only for the square wave to define how long it stays enabled.

You can use the Vertical Bias options to set the values range for the waveform. Options include Centered, which sets the center of the waveform at 0; Auto > 0, which causes all values to be positive; Auto < 0, which causes all values to be negative; and Manual, which lets you set a value for the center of the waveform.

The Effect option determines how different waveforms in the list are combined. They can be added, multiplied, clamped above, or clamped below. The Add option simply adds the waveform values together, and the Multiply option multiplies the separate values. The Clamp Above and Clamp Below options force the values of one curve to its maximum or minimum while not exceeding the values of the other curve. The Characteristic Graph shows the selected waveform, the output, or the final resulting curve. Figure 32.26 shows the Characteristic Graph for each Effect option when a sine wave and a square wave are combined.

Figure 32.26: Combining sine and square waves with the Add, Multiply, Clamp Above, and Clamp Below Effect options.

Color RGB controller

You can use the Color RGB controller to animate colors. Color values are different from regular float values in that they include three values that represent the amounts of red, green, and blue (referred to as RGB values) present in the color. This data value type is known as Point3.

The Color RGB controller splits a track with color information into its component RGB tracks. You can use this controller to apply a different controller to each color component and also to animate any color swatch in Max.

Figure 32.27 shows the function curves for the Color RGB controller assigned to the Diffuse Color track under the Material #1 track, including subtracks for Red, Green, and Blue. The figure shows the Bézier controller applied to the Red track, the Noise controller that is assigned to the Green track, and the Waveform controller with a triangle wave applied to the Blue track.

Figure 32.27: The Color RGB controller lets you assign different controllers to each color component.

Cubic Morph controller

You can assign the Cubic Morph controller to a morph compound object. You can find the track for this object under the Objects track. A subtrack of the morph object is the Morph track, which holds the morph keys.

The Cubic Morph controller uses Tension, Continuity, and Bias values to control how targets blend with one another. You can access these TCB values in the Key Info dialog box by right-clicking any morph key or by right-clicking the Morph track and selecting Properties from the pop-up menu.

Barycentric Morph controller

The Barycentric Morph controller is automatically applied when a morph compound object is created. Keys are created for this controller based on the morph targets set in the Modify panel under the Current Targets rollout for the morph compound object. You can edit these keys using the Barycentric controller Key Info dialog box, which you can open by right-clicking a morph key in the Track View or in the Track Bar.

The main difference between the Cubic Morph controller and the Barycentric Morph controller is that the latter can have weights applied to the various morph keys.

The Barycentric Morph controller Key Info dialog box includes a list of morph targets. If a target is selected, its Percentage value sets the influence of the target. The Time value is the frame where this key is located. The TCB values and displayed curve control the Tension, Continuity, and Bias parameters for this controller. The Constrain to 100% option causes all weights to equal 100 percent; changing one value changes the other values proportionally if this option is selected.

Block controller

The Block controller combines several tracks into one block so you can handle them all together. This controller is located in the Global Tracks track. If a track is added to a Block controller, a Slave controller is placed in the track's original location.

To add a Block controller, select the Available track under the Block Control track under the Global Tracks track, and click the Assign Controller button. From the Assign Constant Controller dialog box that opens, select Master Block (Master Block is the only selection) and click OK. Right-click the Master Block track and select Properties to open the Master Block Parameters dialog box, shown in Figure 32.28.

Figure 32.28: The Master Block Parameters dialog box lists all the tracks applied to a Block controller.

In the Master Block Parameters dialog box, you can add a track to the Block controller with the Add button. All tracks added are displayed in the list on the left. You can give each track a name by using the Name field. You can also use the Add Selected button to add any selected tracks. The Replace button lets you select a new controller to replace the currently selected track. The Load and Save buttons enable you to load or save blocks as separate files.

The Add button opens the Track View Pick dialog box, shown in Figure 32.29. This dialog box displays all valid tracks in a darker color to make them easier to see, while graying out invalid tracks.

Figure 32.29: The Track View Pick dialog box lets you select the tracks you want to include in the Block controller.

Select the tracks that you want to include, and click the OK button. The Block Parameters dialog box opens, shown in Figure 32.30, in which you can name the block, specify Start and End frames, and choose a color. Click OK when you've finished with this dialog box.

Figure 32.30: The Block Parameters dialog box lets you name a block.

Back in the Master Block Parameters dialog box, click the Load button to open a file dialog box where you can load a saved block of animation parameters. The saved block files have the .BLK extension. After the parameters have loaded, the Attach Controls dialog box opens, as shown in Figure 32.31. This dialog box includes two panes. The Incoming Controls pane on the left lists all motions in the saved block. By clicking the Add button, you can add tracks from the current scene, to which you can copy the saved block motions.

Figure 32.31: The Attach Controls dialog box lets you attach saved tracks to the Block controller.

Because the saved motions in the Incoming Controls pane will match up with the Copy to entries in the right pane, the Add Null button adds a space in place of a specific track if you don't want a motion to be copied. The Match by Node button matches tracks by means of the Track View Pick dialog box.

IK controller

The IK controller works on a bones system for controlling the bone objects of an IK system. The IK controller includes many different rollouts for defining joint constraints and other parameters.

Master Point controller

The Master Point controller controls the transforms of any point or vertex subobject selections. The Master Point controller gets added as a track to an object whose subobjects are transformed. Subtracks under this track are listed for each subobject. The keys in the Master track are colored green.

Right-clicking a green master key opens the Master Track Key Info dialog box, shown in Figure 32.32. This dialog box shows the Key number with arrows for selecting the previous or next key, a Time field that displays the current frame number, and a list of all the vertices. Selecting a vertex from the list displays its parameters at the bottom of the dialog box.

Figure 32.32: The Master Track Key Info dialog box lets you change the key values for each vertex.

Figure 32.33 shows the Master Point controller that was automatically assigned when a selection of vertex subobjects was moved with the Auto Key button enabled. A separate track is created for each vertex.

Figure 32.33: The Master Point controller defines tracks for each subobject element that is animated.